A Quote by Troye Sivan

When I was younger, out in public, I never wanted to pop my hip and definitely made sure that my wrist was nice and firm. All these silly, prohibitive things. — © Troye Sivan
When I was younger, out in public, I never wanted to pop my hip and definitely made sure that my wrist was nice and firm. All these silly, prohibitive things.
I keep my hip-hop as hip-hop, my R&B as R&B and my pop as pop. The ability to cross those boundaries and do all these things effectively is not commonly done.
It's jewelry for men, so definitely it's very nice to have a good watch on your wrist.
I had no problem with Ritchie. Ritchie and I never argued. We never had a problem. I think I was always able to write the things that he wanted - until he decided he wanted to be a pop star. And then he started doing pop music. And once he did that, that was the end for me.
While a lot of hip-hop was inspired by jazz or James Brown samples and was made to be played live in the clubs, I made hip-hop that was made for MCs to eat the mic up. It was an aggressive form of hip-hop. It was made just for hip-hop. It's not made to sing or dance to, though you can if you want.
When I left Iowa, I definitely never wanted to stand in front of a group of academics again and see if they approved of me. I made up my mind to take my work to the actual reading public.
Am I one part R&B? Sure, but I'm also part soulful, and I'm old school funk, I'm pop, I'm rock, I'm hip hop, I'm all of those things. I don't wanna be categorized or labeled as just one thing. Don't put me in the box because I'll break out of the box.
When hip-hop was new and raw, it was all about being an MC. You wanted to be respected as a lyricist. But as the years passed and hip-hop became big business, hip-hop became like country, rock and pop. And so you now have people who write the songs for rappers.
Just look at the transformation Taylor Swift made from being pop country to pop pop. There are very specific things she cut out and very specific things she adopted.
I would definitely say I'm a country girl at heart; I wanted to make sure that I established my music first at Country just because that is the artist that I am. But it wanted to spill over into pop too, which I don't have a problem with at all and I think is awesome because it spreads it to a broader audience of people.
I've always wanted my work to be more available. I had this vision when I was younger of wanting to replace all of the bad jewelry in mom and pop jewelry stores with good designs. [I wanted to offer] a range of crazy, experimental one-of-a-kind pieces that would have integrity and be made of great construction as well as interesting engineering.
For better or worse, I've always been curious musically. Whether it's opera or Judy Garland or pop, I've deliberately sought those things out. I've never wanted to do the same things over and over. Some think I've accomplished what I set out to do, and others consider me a dilettante.
When I was 16, I had a really big hit in the K-pop world. It was a hip-hop/R&B/pop song. I kinda strayed from that because of the writers I was hanging out with.
When I was younger, sure, I wanted to have some degree of, shall we say, identity. But it never came.
When you think of sexual liberation, which women wanted to have or not have children, which is the choice, not a command, and other kinds of things they wanted in their relationships with their husbands, or partners or what have you, became for subsequent generations some license that they themselves feel, that is absolutely demeaning and mean younger and younger and younger.
I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.
Well, it'll always be disco/electro-pop. That's what I first wanted to do when I started out as a musician in 1977. It's only ever been dance-pop that I've wanted to do.
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