A Quote by Troye Sivan
I love retouching images on Photoshop.
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I don't think there's a Photoshop professional out there that doesn't owe a significant chunk of their expertise - and a big debt of gratitude - to Bruce Fraser. He almost single-handedly shaped the way we work with color, how we process RAW images in Photoshop, and even how we sharpen our photos.
I don't over-photoshop my images; I really don't like to do that so much.
To teach consequential photography, don't bother with Photoshop or f-stops. Create a craving for images.
We all have our vanities. The retouching magazines like 'Vogue' do is the professional version of the retouching we do when we, for example, apply Instagram filters to the pictures we take and share on our social networks.
Retouching is an incredible tool but can also create unrealistic expectations for women who don't understand that an image is not how the subject really looks. Even the subjects themselves can't live up to their retouched images.
Nothing wrong with retouching - nothing new about retouching.
Photoshop is useful in many ways but must NEVER be used for the altering of photographs. My assistants and my agency do whatever Photoshop work for me that may be required as it is too complicated for my brain.
I find the sneeriness about 'selfie-culture' quite boring - I'm excited by young people taking control of their own images and finding out for themselves how much Photoshop has done for models.
When Thomas and John Knoll launched Photoshop 1.0 in 1990, the software couldn't even handle color images. But their offerings got the startup noticed by Apple and Adobe, both of whom became key to the fledgling company's later success.
NAPP was created as a resource for people who are serious about Photoshop. NAPP is designed to keep our members on the cutting edge of the latest developments, tips, and tricks used by some of the most accomplished Photoshop professionals.
We measure our success of love in the images of love. But those images are static. And it's a hopeless project, because our love will never be like that image. The actual reality of love in our lives is much more chaotic.
Images are really powerful. People fall in love with images, and as a way of falling in love with someone because they're like an image.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
I honestly don't like Photoshop. I think when people Photoshop things, all of a sudden you're like, 'That's not even me anymore.' It takes away the natural beauty of a person. I think Gisele [Bundchen] had just said something like there's no more rawness, like the little quirks. You know, I have a gap in my teeth and sometimes people take it away. But I'm like, 'I love my teeth.' You know, that's me.
I love Photoshop more than anything in the world!
Images exist; things themselves are images... Images constantly act on and react to one another, produce and consume. There is no difference between images, things and movement.
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