A Quote by Trudie Styler

If I'm connected to an idea, it just doesn't let me go. All I have to do is catch up to the image in my head by doing the practical steps to get there. — © Trudie Styler
If I'm connected to an idea, it just doesn't let me go. All I have to do is catch up to the image in my head by doing the practical steps to get there.
I've got this image in my head of how I want my life to look, and I have absolutely no idea how to get there. And I'm so scared that I'll make some wrong decision - just one - and everything will get messed up and go wrong -for good.
When I'm doing stand-up, it's just me depending on me. I know how to go out there and make people laugh. I've been doing it since I was a teenager. I trust my instincts. I just go out and talk. A lot of the time I let the material come from the top of my head.
Every now and again, something will pop into my head when I'm driving or I'm in the shower, you'll just get an image and it stays with you. It doesn't have to be much, it doesn't have to be a story, it could just be an image. But it won't leave your head and that's when you know you've got something.
If you listen to a song and get an image in your head, and then you go home and watch mtv and the image they're showing is the same as the one in your head, kill yourself. You're better off coming back as a lobster.
Every year before a big competition, I get hurt doing stuff I should not be doing. One year it was my little brother's 12th birthday. We all played hide-and-seek late at night. I climbed up a 30-foot tree, thinking he'd never catch me. I tripped and fell on one of the branches and I hit my head.
An old medical friend gave me some excellent practical advice. He said: "You will have for some time to go much oftener down steps than up steps. Never mind! win the good opinions of washerwomen and such like, and in time you will hear of their recommendations of you to the wealthier families by whom they are employed." I did so, and found it succeed as predicted.
Mr Hemingway does it extremely well. Nothing matters. Everything happens. One wants to keep oneself loose. Avoid one thing only: gettng connected up. Don't get connected up. If you get held by anything, break it. Don't be held. Break it, and get away. Don't get away with the idea of getting somewhere else. Just get away, for the sake of getting away. Beat it! "Well, boy, I guess I'll beat it." Ah, the pleasure in saying that
I've known people who had fantastic ideas, but who couldn't get the idea off the ground because they approached everything weakly. They thought that their ideas would somehow take off by themselves, or that just coming up with an idea was enough. Let me tell you something - it's not enough. It will never be enough. You have to put the idea into action. If you don't have the motivation and the enthusiasm, your great idea will simply sit on top of your desk or inside your head and go nowhere.
A great day in New York would be to wake up, get a cup of coffee and head up to Central Park for a nice walk. Then I'd go down to the East Village and stroll around. After that, maybe I'd go check out a museum or catch an indie film at the Angelika.
Ideas are of themselves extraordinarily valuable, but an idea is just an idea. Almost anyone can think up an idea. The thing that counts is developing it into a practical product.
I wanted to get more serialized. I had this idea for an event that would click onto everybody's mortality. I said, "I want somebody to die." Fortunately for me, when I was toying with that idea, John Landgraf, who's the head of FX but also a very smart executive, came up with the idea of the ashes in the maracas. He called me up and said, "Listen, what about this, they get the ashes in a box and when they get them, they shake them and they sound like maracas." And I was like, "Okay, now I've got my throughline."
What ends up happening is people form images and the image they form is, in some ways, what they want it to be. The idea of trying to correct the image is something I'm not interested in doing.
I mean, first of all, let me say whichever superhero first came up with the idea of wearing a cape, he wasn't really onto anything good. The number of times I'm treading on that damn thing or I throw a punch and it ends up covering my whole head. It's really not practical.
My career always involved being the person in charge of what I was portraying to people. "I never wanted to be an image of something I didn't believe in, an image that somebody else had put together. The idea of that just really scared me, more than the idea of failing.
At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting.
In every circumstance, all my life, my mind shows me the possible bad outcome: someone walks down steps, and before I can do anything to head the image off, I see a fall, a catastrophe.
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