A Quote by Trudie Styler
In all the stuff I do, I really like it most when I'm being creative and collaborative, working with people who have my kind of energy around me.
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For the most part, I really love being in a collaborative thing. And in a collaborative thing if you have a singer as good as Sean Smith or Eddie Vedder, you kind of think, well, why don't you just go ahead and let them sing? People seem to really like it.
I'm fortunate I have this coterie of musicians around me to help take music to next level. Being surrounded by so much creative energy, so many creative people really feeds that creativity in me
I'm fortunate I have this coterie of musicians around me to help take music to next level. Being surrounded by so much creative energy, so many creative people really feeds that creativity in me.
People think being Elvira is a lot of fun - and it is - but I was doing a lot more bizarre stuff before then, just being a dancer and a showgirl and traveling around Italy in a band and working for Playboy Club, and later being a model and meeting a million and one people and being kind of a groupie... It's all been really interesting.
If you have that spark that inspires other people, if you have a spark that gives resources to other people, that shares in really collaborative fashion, a spark of wit that kind of tells a story that gives people novel perspective of something, that's the kind of charisma that really leads to lasting power. It's not the kind of charisma that's seductive and self-aggrandizing. It's really a sort of a kind of social energy that really brings about the best in other people.
I am very excited to work with people who have a strong vision of what they want. They're trying to tell a story, and they want to use me. I'm there to facilitate that. I really like that. I'm like, "Tell me where your frame is. Tell me what you want, what kind of story you want, and I will facilitate it." That's sort of my job, and it makes my work better when I'm working in that kind of a frame, and hopefully it's their work. It's incredibly collaborative, in the sense that you're working toward a common goal.
I'm just a very creative and outgoing person and I love being around people and being around music. It just gives me energy.
I've got a reputation for being difficult, and yet with my crew and my cast, I'm super-collaborative and we get on really well, and they like working with me.
It's kind of a collaborative relationship. Westworld requires the investment of the people watching, and that's what I love about it. It changed my life. When I read the script, I was like, 'This is going to change the way I think about my own life. The way I see myself, the people around me, and the way I choose to exist.' That's what great material does. It transcends just being pop cultural entertainment, and actually involves the mind. It's really fun, and when I see the reactions and theories it makes me really excited. That's why I act.
I just hated being around attention and stuff. In the clubhouse, I hated being around that. I didn't like anything to do with being around people, for the most part. I mean, I could be around them, just not in a talking situation, and that would make it even worse.
The whole cast and creative team were definitely aware of the 'This is the death of Broadway!' kind of thing about 'SpongeBob,' but we've been really ready to change people's minds. I'm really proud of being part of something that took the most creative route to a commercial entity.
I really try to keep it hip-hop oriented. For me, that's high energy - people being able to dance, being able to vibe out - but with an ethereal factor. When I perform, I'll have a guy doing live visuals for me or I'll have a guitarist playing a lot of solo, really heavy reverbed vibes and stuff like that.
Working with the actors, working with production designers, working with the creative people who surround the process is really fun, it's really inspiring and I take great pleasure in working with them. That's what's most fun about directing.
Film is a collaborative art form. If you're not being collaborative, you probably shouldn't be working in film. You don't do it on your own. People who understand that, cultivate that, get the best results.
What scares me? I kind of believe in ghosts. I believe they can wander around, so that scares me. But the stuff that really scares me are the catastrophic events like my husband or children or my family being harmed, or something like that.
There is people who make stuff with words. There is people who make stuff with programs. And I really believe that that whole creative culture, people didn't realize how creative programming is. And anybody who's done it of course knows that not only is it creative, but it's incredibly absorbing.
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