A Quote by Truman Capote

I hated Hemingway. I liked Faulkner but he was a bore. — © Truman Capote
I hated Hemingway. I liked Faulkner but he was a bore.
Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary
When I was young, I was a passionate reader of Sartre. I've read the American novelists, in particular the lost generation - Faulkner, Hemingway, Fitzgerald, Dos Passos - especially Faulkner. Of the authors I read when I was young, he is one of the few who still means a lot to me.
Of course, I'm of the generation that grew up with Hemingway and Faulkner as strong influences.
I was writing novels in high school and apprenticed myself in a way both to Faulkner and to Hemingway.
Even when I was a little kid, I hated to dress up. I hated to put on regular shoes. I wanted to play all the time. I hate to wear any kind of coat or sweater. I've never liked hot. I've never liked to be warm.
A year after Hemingway died on the front page, Faulkner went off after a binge, as if dying was nobody's business but his own.
John Steinbeck is one of the most under-discussed and under-written-about of all American writers. He is way up there and should stand on a par, or even above, Ernest Hemingway and William Faulkner.
The best American writers have come from the hinterlands -- Mark Twain, Theodore Dreiser, Jack London, Hemingway, Faulkner, Wolfe, Steinbeck. Most of them never even went to college.
My father hated rock and roll - hated it. My first real argument with my father was over the Rolling Stones. And he never, ever liked rock and roll. He just liked me.
I'd have liked to have been another Faulkner, of course.
When I was younger, people were inventing a new way of writing - James Joyce, Hemingway, Faulkner. And I thought we had to find a structure for cinema. I fought for a radical cinema, and I continued all my life.
I have more to say than Hemingway, and God knows, I say it better than Faulkner.
Faulkner is a writer who has had much to do with my soul, but Hemingway is the one who had the most to do with my craft - not simply for his books, but for his astounding knowledge of the aspect of craftsmanship in the science of writing.
I had a date with a girl I called the parrot. All she did was repeat everything I said. She never had an original thought of her own. Everything I liked, she liked. Everything I hated, she hated. It was annoying!
I had a date with a girl I called 'the parrot.' All she did was repeat everything I said. She never had an original thought of her own. Everything I liked, she liked. Everything I hated, she hated. It was annoying!
If you look at any list of great modern writers such as Ernest Hemingway, William Faulkner, and F. Scott Fitzgerald, you'll notice two things about them: 1. They all had editors. 2. They are all dead. Thus we can draw the scientific conclusion that editors are fatal.
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