A Quote by Truman Capote
I think the only person a writer has an obligation to is himself. If what I write doesn't fulfill something in me, if I don't honestly feel it's the best I can do, then I'm miserable.
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The writer’s job is to write with rigor, with commitment, to defend what they believe with all the talent they have. I think that’s part of the moral obligation of a writer, which cannot be only purely artistic. I think a writer has some kind of responsibility at least to participate in the civic debate. I think literature is impoverished, if it becomes cut from the main agenda of people, of society, of life.
For me, when I'm writing something really personal, I don't feel good about it. It's weird that people can connect to it and like something that came from a really crap place. You have to be quite brave to write about something that you honestly feel and think.
It's not possible to advise a young writer because every young writer is so different. You might say, "Read," but a writer can read too much and be paralyzed. Or, "Don't read, don't think, just write," and the result could be a mountain of drivel. If you're going to be a writer you'll probably take a lot of wrong turns and then one day just end up writing something you have to write, then getting it better and better just because you want it to be better, and even when you get old and think, "There must be something else people do," you won't be able to quit.
I wake up in the morning and I feel like I’m missing something. I know that there’s something not right, and it takes me a while to remember what it is . . . then I remember. My best friend is gone. My only friend. It was silly of me to rely so much on one person.
Still, I kept writing. I had no guarantee that I would someday win awards for writing. Heavens, the only person during that time who seemed to think I could write something worth publishing was my loyal husband. But I always remembered the professor from graduate school who urged me to write and who recommended me for that first writing assignment in 1964. When I protested to Sara Little that I didn't want to add another mediocre writer to the world, she gently reminded me that if I didn't dare mediocrity, I would never write anything at all.
Aaron Sorkin wrote me one of the best female roles on television, I think. He's a wonderful writer for all people. If he chooses to write, hopefully he'll write something that involves more women next time, because I would love to do it.
I never learned to be a writer. I never took screenwriting courses. I never read anyone's scripts. As a writer, my only guiding principle has been to write about things that scare me, write about things that make me feel vulnerable, write about things that will expose my deepest fears, so that's how I write.
If you want to be a writer, write. Write and write and write. If you stop, start again. Save everything that you write. If you feel blocked, write through it until you feel your creative juices flowing again. Write. Writing is what makes a writer, nothing more and nothing less.
You have to be quite brave to write about something that you honestly feel and think.
[A writer] must try to think clearly, to feel deeply, to write honestly. If he is fortunate he will make a living, but his work will never be anymore essentially clear and deep and honest than he himself is, and he will be judged finally not for how many copies his books have sold, but for what they have done to enrich the lives of their readers, now and in time to come.
If you're playing a fictional character, you can create a character, you can sort of take certain liberties. And when you're playing a real person who's actually standing there watching you, you know, it's - you do feel a weight. You know, you feel an obligation to not only be - to give the best performance that you can, but to make sure that you represent this person.
In my relationship with God, I've learned that if I follow a 'formula' for how I spend my time with Him, then I'm just accomplishing a checklist of things I feel obligated to do to please Him. This makes my spiritual life more about doing what I need to do to fulfill an obligation than something meaningful.
If a person says or does something that we consider offensive, our first obligation is to refuse to take offense and then communicate privately, honestly, and directly with that individual. Such an approach invites inspiration from the Holy Ghost and permits misperceptions to be clarified and true intent to be understood.
What I teach is literary criticism and comparative literature and so on and that's my function, but from time to time it's possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.
I think the best actors do both. I think they fulfill what you want them to do, in terms of the vision for the whole piece. And then they always bring something that does surprise you and shock you.
I have to feel that I'm going somewhere all the time. By definition, if you have this urge to go places, then you can't be 100 percent happy where you are. It's not like I enjoy being miserable for weeks on end. But I think it's good to be miserable for about one day every third week - that's ideal for me.
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