A Quote by Truman Capote
Most contemporary novelists, especially the American and the French, are too subjective, mesmerized by private demons; theyre enraptured by their navels and confined by a view that ends with their own toes.
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The British and American literary worlds operate in an odd kind of symbiosis: our critics think our contemporary novelists are not the stuff of greatness whereas certain contemporary Americans indubitably are. Their critics often advance the exact opposite: British fiction is cool, American naff.
The problem is one of opposition between subjective and objective points of view. There is a tendency to seek an objective account of everything before admitting its reality. But often what appears to a more subjective point of view cannot be accounted for in this way. So either the objective conception of the world is incomplete, or the subjective involves illusions that should be rejected.
Like most novelists, I like to do exactly the opposite of what I'm told. It's in my nature as a novelist. Novelists can't trust anything they haven't seen with their own eyes or touched with their own hands.
I can't speak for every American comic, but for me, a great show is its own reward. Comedy is too subjective for awards.
A romantic or classical view of the French approach would have been to say, 'It's a French company; let no one attack it. Let's block any merger. But the reality is Alcatel-Lucent is not a French company; it's a global company. Its main markets are China and the U.S. Its ownership is foreign; most of its managers aren't French.
I was always interested in French poetry sort of as a sideline to my own work, I was translating contemporary French poets. That kind of spilled out into translation as a way to earn money, pay for food and put bread on the table.
I find most American films annoy me because their third act tends to be tying up loose ends and returning to moral values and killing the monster. I think most of the scripts I read to tend to go in that direction and I find that very, very unsatisfying. I want the stories to have loose ends and to pose some questions - or even say things that aren't too comfortable.
I was too prissy, too refined, too abstemious, too French to be a good American writer.
Show us not the aim without the way. For ends and means on earth are so entangled That changing one, you change the other too; Each different path brings other ends in view
That your own interpretation of a work of art is flagrantly subjective seems to be regarded as an arrogant attitude. But the truer view is that the interpretative artist can only make his own comment upon the work.
In comparison to the French Revolution, the American Revolution has come to seem a parochial and rather dull event. This, despitethe fact that the American Revolution was successful--realizing the purposes of the revolutionaries and establishing a durable political regime--while the French Revolution was a resounding failure, devouring its own children and leading to an imperial despotism, followed by an eventual restoration of the monarchy.
I do think that when you get older, you kind of learn not to judge because you realise that no one's perfect, and we're all fighting our own private demons.
I too have my own demons, and I have struggled. I've made my own mistakes, and I'm not proud of them.
The purpose of language is to communicate. That's the most basic definition of language. I have my own subjective experience going on in my head, and you have your own subjective experience going on in your head. The only way we can bridge that unbridgeable gap is through language.
It's just the banks who are the latest target of the American socialist left. There is a war on the entirety of the private sector. It is the private sector that employs most of you, that services most of you, that creates the economic prosperity that our nation has enjoyed - and there is a war on that private sector, and it's being waged from the Oval Office, and its foot soldiers are on Wall Street and in other cities around the country.
The habit of seen the public rule, is gradually accustoming the American mind to an interference with private rights that is slowly undermining the individuality of the national character. There is getting to be so much public right, that private right is overshadowed and lost. A danger exists that the ends of liberty will be forgotten altogether in the means.
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