A Quote by Truman Capote

A conversation is a dialogue, not a monologue. That's why there are so few good conversations: due to scarcity, two intelligent talkers seldom meet. — © Truman Capote
A conversation is a dialogue, not a monologue. That's why there are so few good conversations: due to scarcity, two intelligent talkers seldom meet.
I really don't care that much about "Beauties." What I really like are Talkers. To me, good talkers are beautiful because good talk is what I love. The word itself shows why I like Talkers better than Beauties, why I tape more than I film. It's not "talkies." Talkers are doing something.
The innocent are so few that two of them seldom meet - when they do meet, their victims lie strewn all round.
When I was a young fellow, I used to learn the dialogue backwards. The point is that in a conversation between two people, you can't have already made the decisions about what you're gonna do. You gotta be very light on your feet. That leads you into areas where conversations can have a much bigger, grander meaning.
I happen to disagree with the well-entrenched theory that the art of conversation is merely the art of being a good listener. Such advice invites people to be cynical with one another and full of fake; when a conversation becomes a monologue, poked along with tiny cattle-prod questions, it isn't a conversation any more.
The dialogue and conversation about food is everywhere - television, chat rooms, social media outlets and among everyday conversations.
We have been making constant efforts, all the time, to start dialogue with the SLORC, but you know it takes two. We don't want a monologue. We would like a substantive political dialogue among the SLORC, political leaders including myself, and leaders of ethnic groups-exactly as stipulated in the U.N. General Assembly resolution on Burma.
I don't mind have an uncomfortable conversation if those uncomfortable conversations can lead to a bigger dialogue and help us get to a better understanding of whatever it is we are discussing.
When you're singing, it can be looked at as a monologue, in a way. If it's about telling a story and connecting with your audience, you can do that through song, through dialogue, or through a monologue. That's what's special about being an entertainer.
I think politics is always about dialogue. I think journalism ranges from dialogue to monologue, and there are times when different poles are necessary.
Millions of people are suffering: they want to be loved but they don't know how to love. And love cannot exist as a monologue; it is a dialogue, a very harmonious dialogue.
Conversation succeeds conversation, Until there's nothing left to talk about Except truth, the perennial monologue, And no talker to dispute it but itself.
I cannot please everybody, but it is important to have one eye. This builds a faithful following and, consequently, good clientele. That's why the conversation - the dialogue with visitors and customers - is so important.
It's not enough simply to record the way people actually talk. The dialogue must be concentrated, shaped, dramatically moving, in a way that real-life conversation seldom is.
If you feel irritated by the absurd remarks of two people whose conversation you happen to overhear, you should imagine that you are listening to a dialogue of two fools in a comedy.
People who are exceptionally intelligent are often lonely because there are few people as intelligent as them. I have two little children, and everyone says: 'I hope they're doing well in school. I hope they're bright.' And I think: 'Why would anyone want their children to be the brightest?' Academia is a lonely world.
People who are exceptionally intelligent are often lonely because there are few people as intelligent as them. I have two little children and everyone says: 'I hope they're doing well in school. I hope they're bright.' And I think: why would anyone want their children to be the brightest? Academia is a lonely world.
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