A Quote by Tulsi Kumar

Whenever I sing in a different language, I make sure I have a language expert sitting there with me to correct my diction and to understand what I am singing. — © Tulsi Kumar
Whenever I sing in a different language, I make sure I have a language expert sitting there with me to correct my diction and to understand what I am singing.
The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
Since his childhood, Bappa has observed me singing and practicing and is well aware of all sorts of recording and singing arrangements. I have a studio at my home, so whenever he needs my help I make sure I stand by him. I often sing for the tunes that he composes.
All the characters are made out of words. With reading, I understand that the people aren't real but the fact that they are made out of language and are made out of words is extremely powerful to me. It becomes transformative for me. Different people have different ways of trying to make stories using language.
Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.
To demarcate [words in way that changes the meaning] is simply to speak a different language than everyone else. And I do not accept semantic games like that. [...] We need to use words as they are actually used and understood. We can correct errors and inconsistencies and make distinctions. But we can't try to foist an alien language on people.
Records have never really been my strong suit. I've always been a much better live act. I didn't understand the language of the studio. You sing differently in a studio. The language, the craft - it's just a whole different deal. I avoided the problem on my first record by doing a live album.
My accent fades away I guess when I sing. It's real weird. I guess singing is pretty much a universal language like you sing however everyone else sings and that's with an American accent. I sound very different when I talk.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
I am somewhat uncertain whether there is a definite factual question as to whether natural language handles truth-value gaps. Nor am I even quite sure that there is a definite question of fact as to whether natural language should be evaluated by the minimal fixed point or another, given the choice of a scheme for handling gaps. We are not at the moment searching for the correct scheme.
The advantage of the gypsy language, even though I don't understand it that much, the language is perfect melody. So if you propose the movie the way I do, then the language is just one part of the melody. Orchestrating all inside, and the language is following the meaning of what they say, and it's never the same as written.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
If you're about to get a tat, make sure you're 110% sure it's what you want. If you're getting it in a different language make sure it is exactly what you want it to be because there is no going back.
Great art speaks a language which every intelligent person can understand. The people who call themselves modernists today speak a different language.
I am adding another language to the spoken language, and I am trying to restore to the language of speech its old magic, its essential spellbinding power, for its mysterious possibilities have been forgotten.
What I am doing is creating a language. A different American language.
No, obviously, the time goes by, the English gets better. Ever since I met Melanie, that was almost nine years ago now, you have to just speak the language continuously, hone every word. So, and the proof for me of that, was actually in theater. It has to be two hours and 45 minutes on the stage speaking a language that is not your language, and singing.
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