A Quote by Two Chainz

My whole story is just about me having a second chance. — © Two Chainz
My whole story is just about me having a second chance.
Usually, you get a script and you have the whole story. All the acts are there, for a play. You know what happens in the first, second and third acts, and you know how it starts, where you go and where it finishes. [With American Horror Story: Asylum], it's a whole new experience. I don't know where it's going, and I don't know what's going to happen next. It's been an interesting way to work. It's made me work in a much more fluid, braver way, just taking every chance that comes along.
I just like stories about redemption about getting a second chance at life, I think everyone in the world has a few major mistakes they've made in there lives and if they could just go back and correct it... but, unfortunately they don't get a chance usually it's almost impossible.
It is not about the money. It's the public service aspect. Absolutely, I think it has qualities of redemption. The city gets a second chance. I get a second chance.
It gave me a second chance. I'd like everybody to have a second chance if they need it, so I'm trying to let people know how important it is to become an organ donor.
Grace isn't about having a second chance; grace is having so many chances that you could use them through all eternity and never come up empty. It's when you finally realize that the other shoe isn't going to drop, ever.
It is pretty clear in the Bible story that the whale swallowing Jonah wasn't meant as a punishment from God, it was God saving him from drowning. So it was actually provision to give him a second chance. The whale itself was the start of Jonah's second chance.
It's all still about having a good story. You have to have a good story as your anchor, as your main focus. So for me, personally, I just like to concentrate on writing the best book I can, and if there's other stuff that goes along with it, that's awesome, as long as the story is central.
I have a manuscript that I'm almost done with, but I've been saying that forever. I'm on what I think will be the second-to-last chapter. It's a story about chance and coincidence.
If you keep having to dip into the story's past to explain the present, then there's a good chance your real story's in the past, and you're just using the present as a vehicle to deliver us there.
I made mistakes. I can’t whine about it. I’m the one that messed up and I’m paying the consequences. However, if I am given a second chance, I won’t need a third chance. And to be honest with you, I picked the wrong vice. I should have picked alcohol. I should have picked drugs or I should have picked up beating up my wife or girlfriend because if you do those three, you get a second chance. They haven’t given too many gamblers second chances in the world of baseball.
The green economy should not just be about reclaiming throw-away stuff. It should be about reclaiming thrown-away communities. It should not just be about recycling things to give them a second life. We should also be gathering up people and giving them a second chance.
For me, Lancome was more than just a brand. There was something very nostalgic about the name, about the whole story.
Sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you're limiting yourself at first, but after a while you realize that having a quarter of an inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky.
I was in the family court for 25 years. And having started a second career, having a second act when you were 52 was something that I never thought would happen to me.
Football is like hunting. One second can change it all, but it's not just any second, it's a flash. The prey is there and suddenly then it's not. In an instant it's over - you won't have the chance again. You need to know which one precise second to train for, and to understand that moment.
When I get moved to write a story, I don't question the story. I dive right in, and I try to ignore the voices that are chattering away at me: 'You can't do that', 'You shouldn't do that'. I just sort of leap and take a chance and go for it.
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