A Quote by Twyla Tharp
If you only do what you know and do it very, very well, chances are that you won't fail. You'll just stagnate, and your work will get less and less interesting, and that's failure by erosion
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Interestingly, the oil companies know very well that in less than 30 years they will not only be charging very high prices, but that they will be uncompetitive with renewables.
Many self-employed people provide services that are nonessential. So whether you get your hair done less or your hair cut less, or your nails done less, as a writer and a speaker I was very clear that corporations weren't being as open and as generous and I wasn't getting the kind of work that I usually got.
We seem to live in a world where forgetting and oblivion are an industry in themselves and very, very few people are remotely interested or aware of their own recent history, much less their neighbors'. I tend to think we are what we remember, what we know. The less we remember, the less we know about ourselves, the less we are. (Interview with Three Monkeys Online, October 2008)
There's something grueling but very appealing about rough, to-the-bone material in a low budget context. There's less between you and the material. There are less people. There is less time. There's often less technology. You have to concentrate very intensely, and you jump in a little deeper because there's nothing in your way... but there are challenges.
So you think that you're a failure, do you? Well, you probably are. What's wrong with that? In the first place, if you've any sense at all you must have learned by now that we pay just as dearly for our triumphs as we do for our defeats. Go ahead and fail. But fail with wit, fail with grace, fail with style. A mediocre failure is as insufferable as a mediocre success. Embrace failure! Seek it out. Learn to love it. That may be the only way any of us will ever be free.
In Britain, by contrast, we still think that class plays a part in determining a person's life chances, so we're less inclined to celebrate success and less inclined to condemn failure. The upshot is that it's much easier to be a failure in Britain than it is in America.
I have very distinct things that I like. I have very distinct opinions. Just because I choose to be a little less overt out on the campaign [trail] doesn't mean I'm anything less than very opinionated and very intelligent.
I have so strong a sense of creation, of tomorrow, that I cannot get drunk, knowing I will be less alive, less well, less creative the next day.
As with the factory, so with the office: in an assembly line, the smaller the piece of work assigned to any single individual, the less skill it requires, and the less likely the possibility that doing it well will lead to doing something more interesting and better paid.
You're less apprehensive when you know what to expect. Also, the first flight is very important in this performance-driven culture I work in; it establishes your reputation. If you don't do well, it's probably your last flight.
I don't outline or plan ahead when I write a novel. The more I know about what's going to happen, the less interesting it is to me; and if it's less interesting for me, it will be that way for the reader.
the less you respect, the less respectable you are; the less you honor, the less in you is to be honored. There are those 'whom not to know argues one's self unknown,' so if you have no reverence in a world where there is so much that is noble and venerable, then there will be something terrible lacking in your own character.
It is not altogether wrong to say that there is no such thing as a bad photograph - only less interesting, less relevant, less mysterious ones.
At the time I was growing up in the business I was very well established within the industry as a child actor and as I grew up and turned into a teenager there was less and less work.
It's only when you become love - in other words, when you have dropped your illusions and attachments - that you will "know." As you identify less and less with the "me," you will be more at ease with everybody and with everything.
Sometimes the work can get in the way and you give a less-good performance, and sometimes it doesn't and you can really get to the heart of something. And all the other stuff is just interesting and adds another layer to your performance. It helps you find the reality. Because you're not just playing yourself, you know? That would be kind of boring.
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