A Quote by Twyla Tharp
I began ear training when I was about six months old. My mother was a concert pianist, and she started all of her children with music before they were a year old. Then she began to see that I had a musical gift...
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Once, when she was six years old, she had fallen from a tree, flat on her stomach. She could still recall that sickening interval before breath came back into her body. Now, as she looked at him, she felt the same way she had felt then, breathless, stunned, nauseated.
My mother saw nothing inconsistent in her traditional desire to look after her husband and children and her radical politics. She began her civil rights work before most people had ever heard the word 'feminism,' and in those early years, she was focused on racial justice.
The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.
Sophie has a gift," she said. "She has the Sight. She can see what others do not. In her old life she often wondered if she was mad. Now she knows that she is not mad but special. There, she was only a parlor maid, who would likely have lost her position once her looks had faded. Now she is a valued member of our household, a gifted girl with much to contribute.
My 9-year-old daughter can recite every line from 'Easy Rider,' and that is not an easy song to do. She raps all of Nicki Minaj and everything; she's dope. She has my musical ear for sure. She sings, and she's beautiful. It's very powerful.
My daughter Lily's the oldest, and by the time she was six months, we just had books of photos. Poor little Maeve, who's six months old now My mom hasn't met her yet, and last night she said, 'Show me some pictures!' I'm looking through my phone like, 'Well, I got a couple, but they're from two months ago'
In 2012, a five-year-old girl in Shandong province described to me how ten officials had chased her six-months-pregnant mother through the fields to prevent the birth of the family's second child, a boy. She died during the procedure.
I'll say - I have four kids! I married a woman when I was 24 years old. She was 13 years my senior. She had been married twice before. I adopted them. I was 24 and had a 17-year-old son instantly, an 11-year-old daughter, a 5-year-old, and a child on the way. So I had to learn how to become a parent very quickly.
If I see a now-28-year-old woman coming up to me, she's probably thinking of 'Juno' because she watched it with her parents when she was 18 years old.
My mother had never had a day's illness in her life and never thought to have checks. Then, at 78, she discovered she had breast cancer and passed away the next year. But if she'd had a check two years before, they could have done something about it, they could have saved her.
I've had to ban my mum from coming to see me play. She gets so nervous before any show. I've always got a few nerves but she's so much worse than me. You'd think she'd be able to handle that kind of situation. After all, she is a concert pianist.
When I first began to have the initial idea for 'Heartsease,' I just wrote a skeleton story; that is, I started her off as this young, bright 16-year-old and then added the events that occurred and where she and other characters fitted in, even writing 3 different endings, as I was not sure where Mary's story would lead to.
I had never experienced anything like the response I got from people for Pirates of the Caribbean, where you meet a 75-year-old woman who had seen Pirates and somehow related to the character, and then five minutes later you meet a six-year-old who says, 'Oh, you're Captain Jack!' What a rush. What a gift. That was the challenge with Wonka, too--to be, in a sense, like Bugs Bunny. I find it magical that a three-year-old can be mesmerized by Bugs, but so can a 40-year-old or an 80-year-old. It's a great challenge to see if you can appeal to that huge an age range.
My mother was the first woman in the county in Indiana where we were born, in Jay County, to have a college degree. She was educated as a pianist and she wanted to concertize, but when the war came she was married, had a family, so she started teaching.
My mother - my stepmother, really, she herself have been what they call an elocutionist. And she was the one who first encouraged me to write poetry, because she used to read it to us. And then when I began to write when I was nine years old, my first poem was published in the Amsterdam News. I called it "The Graveyard."
I met Gemma, my wife, when she was 12. She had a schoolgirl crush on me and her dad had arranged for her to meet me. Later, she started coming to my concerts, but I only got to know her well after her mother died. I rang to see how she was, and that's how it started.
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