I think we need not only to eliminate the tollbooth to the middle class, I think we should knock down the tollbooth.
Since we want not emancipation from impulse but clarification of impulse, the duty of rhetoric is to bring together action and understanding into a whole that is greater than scientific perception.
A puppet that starts to improvise badly is almost funnier than the puppet that's improvising well. So the show gets better when the improvising is really good, but also the show can also sometimes get better when the improvising sort of goes a little wrong and that's sort of a blessing to improvising with puppets.
Let no one say that taking action is hard. Action is aided by courage, by the moment, by impulse, and the hardest thing in the world is making a decision.
I like the action business. I like the action movies. I guess Hollywood wants to see me do action. So I am down. I like it.
To be different is a negative motive, and no creative thought or created thing grows out of a negative impulse. A negative impulse is always frustrating. And to be different means ‘not like this’ and ‘not like that.’ And the ‘not like’—that’s why postmodernism, with the prefix of ‘post,’ couldn’t work. No negative impulse can work, can produce any happy creation. Only a positive one.
The planet isn't improvising, it's creating dynamic tensions between complex living systems in a planetary choreography, a balancing act between physical, chemical, biological, environmental, and human components.
There is likely to be a lag between the need for action and government ["an individual's" or "a team's"] recognition of the need; a further lag between recognition of the need for action and the taking of action; and a still further lag between the action and its effects
Habit must play a larger place in our religious life. We worship when we feel like it, we pray when we feel like it. We read the Bible when we feel like it. Leaving our religious exercises to the promptings of impulse, we become creatures of impulse rather than soldiers of Christ. An army made up of creatures of impulse would be only a mob. So is a church.
I'm competing with everyone, but it's okay because they're not aware. I can't shut that impulse off. And I'm glad, because that impulse keeps me on the treadmill. If I didn't have it, I would be like, "Great! Ten minutes! I'm good." But if I'm competing, I can see what level someone's on and I can top it.
You wanna have laughs? Do what I do. When I go through a tollbooth, I keep going. I tell the guy, The car behind me is paying for two.
Improvising is wonderful. But, the thing is that you cannot improvise unless you know exactly what you're doing. That's a kind of paradoxical thing about improvising.
Every dog has like me the impulse to question, and I have like every dog the impulse not to answer.
Sanity lies somewhere between the inhibitions of conventional morality and the looseness of extreme impulse, but the area in-between is very fuzzy.
I think that if you're improvising on TV, it's a great way to help the dialogue between actors and writers.
There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk.