A Quote by Twyla Tharp

What I do remember is visualization of the sound of music, seeing bodies in movement in relation to how music sounded, because my mother practiced at the keyboard a lot and I also went to her lessons. As a two year old, three year old I remember seeing things in movement.
It is important to show up. Showing up at marches and rallies and town halls and protests. I remember I was really quite sad from Election Night last year until Jan. 20. And then I remember waking up Jan. 21 and seeing these amazing Women's Marches across America, and I thought to myself, That's the country that I know. And that's a larger populist movement that I'm seeing than Donald Trump's relatively small populist movement. And that gave me a lot of hope and energy, and from that day forward, I've taken a view that we'll flip the House next year.
Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.
Most people remember being 4 objectively, as if they're seeing a movie of a 4-year-old. But me, if you ask me to think about when I'm 4, I can feel myself being 4, and I am there, looking out through my 4-year-old eyes.
It's true. somewhere inside us we are all the ages we have ever been. We're the 3 year old who got bit by the dog. We're the 6 year old our mother lost track of at the mall. We're the 10 year old who get tickled till we wet our pants. We're the 13 year old shy kid with zits. We're the 16 year old no one asked to the prom, and so on. We walk around in the bodies of adults until someone presses the right button and summons up one of those kids.
I'm a fifty-three-year-old writer who can remember being a ten-year-old writer and who expects someday to be an eighty-year-old writer.
I'm a 48-year-old writer who can remember being a 10-year-old writer and who expects someday to be an 80-year-old writer. I'm also comfortably asocial -- a hermit in the middle of Los Angeles -- a pessimist if I'm not careful, a feminist, a Black, a former Baptist, an oil-and-water combination of ambition, laziness, insecurity, certainty, and drive.
I don't remember not singing. I started when I was, I don't know how - what, two years old or a year old or something like that.
I don't remember not singing. I started when I was, I don't know how - what, two years old, or a year old or something like that.
When I came to the United States, I appeared on the Ed Sullivan Show as a 13-year-old, and I played a Mendelssohn Concerto, and it sounded like a talented 13-year-old with a lot of promise. But it did not sound like a finished product.
I remember being a 12 year old art kid and feeling like there was no exciting art movement happening, especially for somebody like me. I was looking around for artistic inspiration and could find nothing — until my older brother’s friend brought a Giger book over to the house. Upon seeing the first image I knew I would never be the same. A whole new world opened up to me and I have been exploring it ever since. It’s no doubt that I would not be here today, doing what I do, without his influence. H.R. Giger is the king of the Dark Art movement.
Before you know it it's 3 am and you're 80 years old and you can't remember what it was like to have 20 year old thoughts or a 10 year old heart.
I think my shows can draw an audience of 12 million because I ask, 'What can make a 7-year-old, a 17-year-old, a 30-year-old and a 77-year-old laugh?'
I intend to give my eighty-two-year-old dad a copy of God Never Blinks. I will also buy one for a sixteen-year-old friend. This wise, compassionate, and honest book is a blueprint for living a happy, fulfilling life. Its lessons are timeless – and timely.
In Vienna, when I was a year-and-a-half or two years-old. I remember it because I remember the little blue raincoat I used to wear, and how the buttons felt. I liked to walk on the street in front of our house when it was raining, and jump into all the puddles. That's weird, but that's my earliest memory.
I've got a three-year-old daughter. To picture her being a dancer, I'd absolutely love that. I'm in absolute awe of what they do. Just seeing them work, they're incredible.
When I was 5 years old, my mother read me 'Gone With The Wind' at night, before I went to bed. I remember her reading almost all year.
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