A Quote by Twyla Tharp
If I didn't believe in myself as a dancer, I wouldn't choreograph.
Related Quotes
There's an innate feeling when I choreograph in juxtaposition to how I feel as a dancer. When I choreograph, I never really look into the mirror. But as dancers, we always check ourselves in the mirror. I do feel that when I choreograph, I am making a dance on my own body. Much of it is my own response to the music.
If anyone is calling me to choreograph a dance, they know my style, and they know I am a taskmaster. They want to present themselves as a good dancer before their fans, and that is why they want me to choreograph.
Dancing is being trusted with other people's guts; choreographing is trusting other people with yours. When I choreograph I'm giving a dancer something to do and trusting the dancer to do it and build on it.
I consider myself an actress first, a dancer second, and a singer third. Why? Because the dancer needs a reason to move-that's the actor informing the dancer. So I worked on my acting and gradually developed a singing voice.
You can't choreograph death, but you can choreograph your funeral.
I don't think of myself as a leader. I am, but I don't think of myself that way. I'm not trying to belittle what I do, but I think of myself as a dancer first. I'll always be a dancer.
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
I can't choreograph myself. I tried doing that for 'Pataakha,' but I couldn't do it.
There's a lot of thinking when you choreograph something. You're not just choreographing some bodies, arms, legs flying around to look cool. It's a lot more complicated and sophisticated. You also have to deal with the connection of the whole film, so when I choreograph, I think of the movement itself, the camera angles, the characters.
I will push myself in different ventures that I believe will make me a better artist, dancer and person.
I also had a will that let me eliminate everything that stood in the way of my becoming the best dancer I could be. By a gradual process... (I) had invested every bit of my dreams, my hopes, my energies in defining myself as a dancer.
Normally, I would run with a group of guys in my camps. A couple of days before the fight, I would run by myself. That was my time to choreograph the fight in my head, so I needed to be myself.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
A good dancer is not necessarily defined by great technique, skill, or ability to pick up choreography but by confidence. When you feel the music, it penetrates to your soul. Everybody's a dancer. The greatest dancer is someone who is willing to dance, not afraid.
I do believe I'm not good enough to be a professional dancer. I believe that in my heart.
As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
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