A Quote by Twyla Tharp

I feel I can handle the architecture of dance as well as anybody. — © Twyla Tharp
I feel I can handle the architecture of dance as well as anybody.
I've never had a problem with the old truism about dancing to architecture. I think you can dance to architecture. There's some pretty funky architecture to dance to.
If you do not join the dancing you will feel foolish. So why not dance? And i will tell you a secret: If you do not join the dance, we will know you are a fool. But if you dance, we will think well of you for trying. if you dance badly to begin and we laugh, what is the sin in that? We will begin there.
'ABCD - AnyBody Can Dance' and 'ABCD 2' has succeeded not merely because of dance, but mainly because of its good script. Viewers have loved the story, and that's why my movies have done well at the box office.
I believe that dance was the first art. A philosopher has said that dance and architecture were the first arts. I believe that dance was first because it's gesture, it's communication. That doesn't mean it's telling a story, but it means it's communicating a feeling, a sensation to people.
How you handle peer pressure - the pressure your children feel as well as the pressure you feel - in the early years will play a significant role in how your children handle peer pressure when they become adolescents.
It doesn't happen all the time, but when I'm playing well it's as if my eyes change. I can feel it. I just feel like Dr. Jekyll and Mr. Hyde-a transformation happens, I'm a totally different human being. I don't hear anybody, I don't see anybody, nothing bothers me, nothing is going to interfere with what I'm about to do.
You must always work not just within but below your means. If you can handle three elements, handle only two. If you can handle ten, then handle only five. In that way the ones you do handle, you handle with more ease, more mastery, and you create a feeling of strength in reserve.
My name is not unfamiliar to anybody in the dance community. I'm talking the upper echelon of dance studios.
The dance is the mother of the arts. Music and poetry exist in time; painting and architecture in space. But the dance lives at once in time and space.
I feel I handle the pressure situations well, and that's why I want to be there at the end.
Nobody's perfect. I feel like I can handle the pressure pretty well, even though sometimes I feel like I'm psyching myself out a little bit.
When you dance, do you feel desire? Do you feel as if you were summoning up a greater energy? When you dance, are there moments when you cease to be yourself?
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
I've tried to handle winning well, so that maybe we'll win again, but I've also tried to handle failure well. If those serve as good examples for teachers and kids, then I hope that would be a contribution I have made to sport. Not just basketball, but to sport.
But I feel truly wowed by the architecture and the meaning of the architecture if you get lost in it and think about the man hours in the smallest little chapel, and the love involved. God it's fantastic.
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