A Quote by Ty Dolla Sign

I kick it with a whole bunch of people, whereas some people only want you to kick it with one race, you know. — © Ty Dolla Sign
I kick it with a whole bunch of people, whereas some people only want you to kick it with one race, you know.
I don't want people to kick my ass, I just want to get to a point where they can't kick it.
I try to treat every kick the same and I want to make every kick, let alone the kick at the end of the game.
I am one of those people who can't help getting a kick out of life - even when it's a kick in the teeth.
Before I studied the art, a punch to me was just like a punch, a kick just like a kick. After I learned the art, a punch was no longer a punch, a kick no longer a kick. Now that I've understood the art, a punch is just like a punch, a kick just like a kick. The height of cultivation is really nothing special. It is merely simplicity; the ability to express the utmost with the minimum.
I have tried to teach people there are three kicks in every dollar: one, when you make it; two, when you have it. The third kick it when you give it away - and it is the biggest kick of all.
What Joe Hamilton lacked more than anything else in the world was some one to kick him. Many a man who might have lived decently and become a fairly respectable citizen has gone to the dogs for the want of some one to administer a good resounding kick at the right time. It is corrective and clarifying.
I'm moving on in years, but I tell you I still want to kick the devil before I kick the bucket.
You have to make those mistakes. You have to do the work. You have to fail. I also realized that I should practice what I preach, which is that if you only do get one kick at the can . . . When you go to places like Africa or Asia or the Indian sub-continent, you realize that a lot of the people there don't ever get a kick at the can. There are no "kicks" at the can - you just don't have that shot.
I do, I kick major butt in 'Dredd.' I get to kill people. I break a guy's neck by roundhouse kicking him in the face. It was me, I did it. I learned how to roundhouse kick. I also do it with my hands cuffed behind my back so it's pretty cool I have to say. Yeah, leather body suit, blonde hair, the whole thing.
If I've learnt one thing, it's that I need to surround myself with people who want to know the real Pete Wentz, not some myth they've concocted from a bunch of press clippings. I can open the door a centimetre wide, and some people think I'm showing them the whole room. But all they're getting is a glimpse. That's all I want to show most people.
However vile the abuse they receive, media people must remember this is part of the price of getting a public voice. Stay grateful. Don't kick down, kick up. Criticise power rather than proles.
This whole thing about not kicking someone when they are down is b.s. Not only do you kick him—you kick him until he passes out—then beat him over the head with a baseball bat—then roll him up in an old rug—and throw him off a cliff into the pounding surf below!!!!!
Look, I'm still a goateed guy with a bunch of tattoos, but I've got a poodle and not a pit bull. I don't kick boxes and I don't scream at other people.
The only moment football really stops is with a penalty kick - and that is a moment that is really dramatic. A penalty kick becomes a Western duel. It's two guys facing each other. Destiny and potential death, whether metaphorical or literal. That's why in the penalty kick at the end of the film, I shot it like an homage to the Sergio Leone Westerns I saw when I was a kid, especially The Good, The Bad And The Ugly.
I wanted to run my race. I didn't want to sit there and play games and see who could kick the hardest. I wanted it to be a race.
My experiences with the older audience and, selectively, the people I hang out with or run into, they all want to see Arnold [Schwarzenegger] kick some ass.
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