A Quote by Ty Segall
I was sick of fast, aggressive music; I felt like I needed to make a poppy thing. But, right now, I feel like I need to make a Hawkwind/Sabbath record. It gets boring if you just do the same thing all the time.
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It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
I spent a long time experimenting, saying, 'Here's a record that's free, or $5 if you want a nice version or $250 if you'd like a really nice coffee-table thing.' Everything felt like the right thing to do at the time and then six months later would feel tired. And I would feel tired. So that's one reason for returning to a major label.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way. That is what is fun for me.
One last thing on objectives - I like to make things, create things, so that's probably been the primary objective all along, even before the ego objective - to make. To record. But why record... that gets back to the ego, a little. Oh, well. Making is good. I like to make things.
Jamaican music can be aggressive, soulful, smooth and exciting all at once - just like hip-hop. At the same time, there's nothing like Jamaica in the United States. Jamaica is its own thing.
I didn't worry about leaving the fast lane - I was just so consumed with my baby that it seemed like the right thing to do. I never felt like I left New York, though. If you've lived in a place and loved it, you never feel like you left it.
I get that some people just want to do work and keep their lives private. I think for me, it just felt like I needed to be open about who I am. It just felt like the right thing for me to do.
Hip-hop music in general kind of revolves around singles, and I appreciate that mindset, but at the same time, I wanted to go beyond that. It's not like I was intending to make a classic record - I mean, I'm always trying to make timeless music, but I really just tried to reference the music that on a road trip you can put in and not have to skip a track.
'Birds of a Feather' is on Netflix, and it did big for me. For me, it was a trial and error thing. I never thought about being an actor. I just felt like, in the music industry now, anything you said can go. So now it's a part of what I do. I make movies now.
I try to make music with emotion and integrity. And authenticity. You can feel when something's authentic, and you can feel when it's not: you know when someone's trying to make the club record, or trying to make the girl record, or trying to make the thug record. It's none of that. It's just my emotions.
I like to just make flex music. So when I do make emotional music, it's hard for me, because I feel like I'm cliche. But I guess cliche is the best thing sometimes, because it's real.
In theory, when you're working with a record label, you're just borrowing their money. And that's basically how the record industry works, right? It's like, you borrow $100,000 from a record label, so you don't make any money until you make back that money for them. In theory, they have you held hostage, so you've got to do every little stupid thing that they want you to do.
I think the debating thing actually helped to establish to me that being popular was completely worthless. I didn't enjoy the social dynamic and immediately left after becoming number one. But it felt like I needed to do it to know what it was like. It wasn't just that I was an aggressive person, although that probably is true to an extent.
I don't feel like I make sense in the world. I don't feel like I look right. I don't feel like I act right or do right. It's very frustrating to me that I just walk around with this all the time.
Right now I'm sick of acting, so it's like, Maybe I'll do writing for a bit. Then, when I'm tired of writing, I'll go work on my music. When I'm sick of music, I'll be like, I'm going to start performing comedy now. So it's good. It's not like I want to be famous or anything.
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