A Quote by Ty Segall
With Spotify and all those streaming services, you don't get paid anything. You have to be, like, Madonna or something to actually make a real royalty from that.
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Some people see streaming as a bad thing because of the royalty amount paid, but as more and more people get on these services and stream music all day long, you'll be able to generate quite a bit of income from streaming.
People are experimenting with streaming, with subscription services, whether it's a Spotify or a Pandora or a Rdio.
There's a lot of artists whose contracts are written in such a way that they do not get paid for what's happening on streaming services.
The difference between Spotify and Internet radio services like Pandora is that Spotify is interactive. You can sample the complete catalogue of most artists' recordings.
There's definitely some sort of dissent brewing between record labels, publishing companies and artists [about the compensation they get from streaming services] Spotify is returning a HUGE amount of money [to the record labels]. If we continue growing at our current rate in terms of subscriptions and downloads, we'll overtake iTunes in terms of contributions to the recorded music business in under two years.
Spotify was one of the first services that actually focuses on the consumer because they don't have to spend hundreds of dollars a year on music.
The management teams in these royalty and streaming companies have the highest-quality research and the most visibility into all of the producers. So if you really want to know what's going on in the resource space, you should talk to the management team of a royalty company.
As the streaming wars escalate in 2020 with all these services, we have one of the largest live audiences of millennials who are watching a streaming program - so obviously, there's a lot of synergy there.
The fact is that 'free' in music streaming is so technically good and ubiquitous that it's stunting the growth of paid streaming.
Sure, we all like listening to music on vinyl, but that doesn't mean streaming music on Spotify is bad.
'Banshee' was kind of a lark. I was getting paid pretty well to write movies no one was making - and so I decided to try my hand at TV and get paid much less to actually get something produced.
Streaming is a really big market for me. We've been doing great in the streaming market, so it's not something I want to alienate at all. Streaming counts now. They're treating artists the way we deserve to be treated.
The honor we receive from those that fear us, is not honor; those respects are paid to royalty and not to me.
There are a number of start-ups in Europe that are able to reach beyond their own country. Take Spotify - Spotify just in Sweden isn't that interesting compared to Spotify all over the world.
I love listening to the radio because there's something about that discovery, that platform, still being the main medium. And it is changing with streaming services, but I like to listen to what people are listening to and figure out why is this song so catchy.
Netflix represents, as well as all the streaming services, something that I've been talking about being so important to inclusive voices around films.
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