A Quote by Ty Segall

The idea of 'Freedom's Goblin,' to me, leads to a wild conversation. I would hope that father and son, driving home from the record store, could have a conversation about what that title means. Because to me, it's the duality of being free: the evil and the good, and how it's a constant paradox.
In my own life, I find myself doing some task - driving or playing golf - and having a conversation with my mother or father, who are both deceased. I don't know if that means I'm mentally ill, but I suspect lots of people do it. And when I hold that conversation, different images of my parents appear to me.
My father was a director and producer, so when I was a little kid, he would take me to movies and show me what's good and what's not good and why, and often that would take me to a conversation about directing.
My stepdad didn't have a father growing up, so he didn't know how to have a father-son style conversation. Plus, we had a tense relationship in which he never really offered me advice.
I'm a constant idiot in conversation - I always seem to sound either smug or stupid. Writing plays was a way of winning the conversation by controlling the conversation.
It's hard these days to have a conversation, at least it is for me, about [Truman]Capote without "Good Night, and Good Luck" coming up in the same conversation.
My honesty about mental illness has helped open a door for real conversation, and I think Justin wants to continue that conversation. He has put no restrictions on me. His father couldn't. Why should he try?
That's a really sad moment. When people in a democracy are afraid of having the conversation, because it might actually lead to a conclusion they don't like, as opposed to saying, let's have the conversation, and let's learn, and, you know, let's, let me try to persuade you, and if I'm not persuading you, then you try to persuade me. That's what we hope for.
As my father taught me, and he drove home that point, he said, 'Just remember something. You don't need to tell anybody how good you are. You show them how good you are.' And he drove that home with me. So I learned early not to brag about how good I was or what I could do but let my game take that away and show them that I could play well enough.
If it wasn't for this person's privacy, I'd be able to talk pretty freely about this subject on a personal level. The record's about not her. It's about my struggles through years of dealing with the aftermath of lost love and longing and just mediocrity and just bad news, like life stuff. And in the [record], where the title comes from, the lyrics are actually a conversation between me and another girl, not this Emma character.
She cried, "Laura," up the garden, "Did you miss me? Come and kiss me. Never mind my bruises, Hug me, kiss me, suck my juices Squeezed from goblin fruits for you, Goblin pulp and goblin dew. Eat me, drink me, love me; Laura, make much of me; For your sake I have braved the glen And had to do with goblin merchant men.
There may be an art to conversation, and some are better at it than others, but conversation's virtue lies in randomness and possibility: people, without a plan, could speak a spontaneous, unexpected truth, because revelation rules. Telling words recur in this smart, generous conversation between Stephen Andrews and Gregg Bordowitz: patience, responsibility, feminism, ethics, cosmology, AIDS, gift, freedom, mortality.
My wife has been my closest friend, my closest advisor. And ... she's not somebody who looks to the limelight, or even is wild about me being in politics. And that's a good reality check on me. When I go home, she wants me to be a good father and a good husband. And everything else is secondary to that.
Everything I am going to say to you is the child of a conversation. [...] That is the aspect of conversation that particularly excites me: how conversation changes the way you see the world, and even changes the world.
Sixty-five percent of Americans don't have the conversation with their children. So you're sending off boys and girls off to college, off to high school, off to wherever they go, and nobody's had the conversation about how to conduct themselves. About a man telling his son how to be a man. How to respect a woman. How do you respect yourself?
I can kind of fit the women's and the men's samples in a very similar way, just because of where my body is in my life, and I feel like it's modern to mix. I don't really understand, when we have so much conversation about the barriers being broken down, how you can have one side of the store and the other side of the store, and men's wear is cheaper.
'The Conversation' is one that, if you watch 'The Conversation' for the opening sequence, where you hear a conversation taking place as the master - this zoom from way up is zooming in over a park. And I was just absolutely blown away by it because you can hear exactly what's happening, but you don't see. You've got no idea who's talking.
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