I like to listen to mellow stuff on the road like Travis, as we are constantly surrounded by rock music on tour and so its nice listening to mellow stuff. Obviously back at home I listen to a lot more rock music.
Growing up in a house where there was a lot of different musical influences - my mom listens to soul stuff and Top 40, my sisters would listen to hip-hop - and the church, I grew up listening to a lot of gospel stuff. So I think that plays a role in how I make music now because my music has a lot of range. I don't just do one thing.
I don't really listen to a lot of stuff that sounds real similar to me because I work on that kind of music all day. I end up listening to more jazz, stuff that I can't really play.
I tend not to listen. When I'm listening to records, I don't listen to much new wave stuff, I tend to listen to the stuff I used to listen to a few years back but sort of odd singles.
I grew up on Bach and Beethoven, and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff.
A lot of punk rock. I listen to various stuff just cuz my friends now listen to a lot of different bands. I listen to a lot of underground stuff like jungle music.
I grew up on Bach and Beethoven and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff. That's the only reason I'm thinking of going on.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
I guess the way people release music and the way people listen to it has changed and is changing constantly. We wanna get the music out as quickly as possible. We're sitting on a lot of stuff and constantly making new stuff as well.
Something people say about acting is that acting is listening. But I think that writing is listening, too. That you really have to listen to what are they saying and what they're communicating to you. And so, a lot of it is just getting stuff down.
Acting doesn't have anything to do with listening to the words. We never really listen, in general conversation, to what the other person is saying. We listen to what they mean. And what they mean is often quite apart from the words. When you see a scene between two actors that goes really well you can be sure they're not listening to each other - they're feeling what the other person is trying to get at. Know what I mean?
I do listen to more jazz and gospel than anything else, but my ears are still very much open and listening to stuff that comes out. And a lot of times my kids turn me on to stuff.
I listen to a lot of crazy stuff like pop, techno, rock, hip-hop, rap, baladas, bachata...my iPod is crazy. I like listening to a lot of stuff in different languages, so my music is always out there for me.
I grew up listening to a lot of classic jazz, and stuff like The Beatles, and old Motown stuff, and a lot of classical music. I just loved all of that.
I really don't listen to any of the negative stuff. Anything that's positive, that's kind of the stuff I'm listening to, and that's kind of what, like, brings you up.
When I'm in writing mode I tend not to listen to music. I usually have a gestation period before I start writing. When I'm listening, it usually happens on the road. So, we'd been listening to a lot of music on tour the year before and all that stuff sank in.