A Quote by Tycho

I feel like music and design complete the idea of each other for me. So, it's like whatever I'm trying to express in one really can't be fully expressed without the other. I've always seen them as the flipside of a coin and bounced back and forth.
I'm always trying to want to connect with fans and to connect them to each other. I mean, there's other things that I'm trying to do, but in terms of connectivity, that is really important to me. And I am a smaller artist still and there are people that are super passionate about my music, but not everyone in their circle knows about me. But yeah, I've always trying to find ways to connect fans to each other.
My dad has pretty much taught me, he's built this thing with me, he trains with me, practices with me, goes to the gym with me, we battle each other at the go-kart track. We're so competitive with each other, and I feel like we both make each other better because we're so hard on each other, just trying to be the best we can.
Children should be allowed to express themselves in whatever way they wish without anybody judging them because it is an important part of their growth... Society always has something to learn when it comes to the way we judge each other, label each other. We have far to go.
I feel like for me my happiest moments are tinged with the awareness that there's sadness on the flipside of the coin.
I'm not very good at sounding like other people. When you're going through your 20's and trying to get a break and that kind of thing, and you're trying to do something that sounds like film music, your idea of what it would be, it never really worked out for me and it's only really when I learned to trust the fact that I could only really sound like me.
When I feel like work and life are both going well, I feel like I can be fully present at both. I think the reminder to me is that both are super important, and I need to be able to feel like I can experience both in the way that makes me happiest. If I'm not happy in one or the other, it really affects the other side.
If I read something that's really intense and depressive, I will face it; I will try - but there's plenty of times I also run away. I think it's trying to find a balance between the positive and the negative. They don't exist without each other. It's the polarity; it's two sides of a coin. You can't get one without the other. I don't wallow. I can't stand it.
Marriage has given me a little family of my own. We hold each other accountable, love each other, and always are there for each other. I feel more balanced now because I know what it's like to care for others.
I feel like I've had very few bad experiences but even those I look back on and really feel like if it weren't for them, I wouldn't be where I am. I look back on them all the time and constantly feel like I owe it to the other projects that I've made that have gotten me to where I am.
I never wanted to do just comedy or just drama; sometimes, going back and forth you can get yourself in trouble which happened to me on other things so you're always trying for a delicate balance - I also think that they compliment each other so well.
Even if the two parents have decided they can't stand the sight of each other anymore, they can still back each other up, cover for each other, and fill in the blanks for each other when it comes to their cocreated children, so that neither of them has to feel as if they're having to do it all.
Sometimes I will give some very vague directions to the designer that I'm working with on a particular project and they'll come back and surprise me with something that really shows a lot of their own 'hand' in it. Other times I'll have a really clear idea about how I want it done and I'll draw it out pretty precisely and say 'make it look exactly like this' and it will be something where it looks like I can say it was 'fully my design'. The work can also range between the two.
I feel like fashion and music relate to each other in a lot of ways. I always had to be creative: I'm a very creative person. I always liked making stuff. Apart from music, I always liked making clothes. You're able to express yourself.
There's sometimes when I feel really balanced, and there's other times when I feel like I'm trying to keep juggling too many balls in the air, and I feel like I'm on the edge of dropping all of them and having them all land on my head, you know? Scheduling is a big part of it, and the other is just remaining flexible and keeping a sense of humor about things.
I guess what inspires me most is the desire to draw out feelings that feel best expressed on the written page by really good authors, and I'm not a really good author. I feel like my job as a filmmaker is to eff the ineffable, to take feelings that only poets could describe with words and try to project them on the screen for viewers to feel. I don't think I've succeeded once but in the act of trying I've come up with all these other results which sometimes intrigue me.
So we [with Kate DiCamillo] would act them out, we would toss ideas back and forth, we would laugh, we would argue. Sometimes it went really well, sometimes it was such a pain in the ass. Our other rule was that we wouldn't work on it at all when we weren't in the other's presence. It was really hard not to do that. We'd start going on email back and forth, 'What do you think about this, what do you think about that?' But, no, no, no, it had to be live. So we forced ourselves not to look at it except during those two-hour stretches when we were actually with each other.
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