A Quote by Tyga

I would say I'm a fan of late '90s to early 2000s rap. That's where I get all my inspiration from. — © Tyga
I would say I'm a fan of late '90s to early 2000s rap. That's where I get all my inspiration from.
I've always been a fan of music. I would say I'm a fan of late '90s to early 2000s rap. That's where I get all my inspiration from.
Late '90s, early 2000s, Rob was in a definite fog.
I think Dido's really cool. I feel like she kinda tapped in - back in the late '90s and early 2000s - she tapped into the ''90s-does-'70s' vibe.
I took a bit of a back seat, I had kids and I wanted to focus on them. There's that period in the late '90s, the early 2000s, where I didn't do a great deal.
In the late '90s and early 2000s, basketball was more about making your defender look stupid than scoring. Seriously. You could miss every layup, so long as you turned an ankle or buckled a knee.
I had examples from a very young age of gay actors or personalities coming out in late '90s and early 2000s who faced a lot of backlash and didn't have a lot of support and risked ruining their careers.
Every generation has a different ways of telling a story. We had a great run in the early '90s, into the mid-'90s, and we became a little more executive-driven as we got into the 2000s.
I made songs in the late '90s and the early new millennium that didn't succeed very well, but songs that I made in the late '80s, early '90s, they stood the test of time. I respect those songs for keeping me relevant.
We all grew up in that era. I'm a little younger than these guys [Will Forte and John Solomon], but I would say all of us are huge fans of the original "MacGyver" series, and obviously we found that inspiration for the original pitch for MacGruber. We took his name and made it stupid. In terms of the inspiration for the movie, that really came from our love for late '80s/early '90s action movies - the whole "Lethal Weapon" series and "Rambo" and "Die Hard," every single [Arnold] Schwarzenegger and [Sylvester] Stallone film.
I think 'Girlfriend' in particular is definitely one of the songs that is angled towards early 2000s, late '90s, R&B pop and those kinds of songs that were prevalent in that time. I don't think I was conscious of those songs in particular, but I'd say I definitely wanted a song that had that kind of vibe era wise in tone and all the writing.
The hip-hop that I really connected with was Public Enemy, KRS-One, Ice Cube, and N.W.A. That late '80s and early '90s era. The beginning of gangster rap and the beginning of politically conscious rap. I had a very immature, adolescent feeling of, "Wow, I can really connect with these people through the stories they're telling in this music."
I covered hockey for a few years in the late '90s and early 2000s for the 'Colorado Springs Gazette,' and I covered the Avalanche for some of the glory years. I've done hockey off and on as a sportswriter but never played it.
The '80s, '90s, and early 2000s genes of competitive fire are dead and gone.
Throughout the '90s and early 2000s, our financial industry and governments leaned on a snake-oil mirage of wealth creation, a bubble predicated on the obvious falsehood that things could only get better.
We were born ahead of our time. Don't forget that the riot-grrl scene had a lot to do with making The Slits a legend, and that didn't happen until the early '90s. We couldn't get together before then, because the legend hadn't been built yet. In the 2000s, we've become bigger than life in that way. It's become really important for The Slits to be here now, but idealistically, we should have done it in the '90s.
I had written rap songs in the early '90s and even did a couple homemade rap songs with my brother in like '88 or '89, but it was just like... I don't even know how to say it. Just plain rap. I was just rapping about whatever, there was no real style or direction, it was just semi-braggadocious rhymes that probably imitated 100 other rappers.
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