A Quote by Tyler Beede

Whether it's playing catch or going to the weight room, you've just got to blend in and introduce yourself as you go along. — © Tyler Beede
Whether it's playing catch or going to the weight room, you've just got to blend in and introduce yourself as you go along.
Being paid as a professional athlete didn't change how hard I was working because I'm always going to do that, whether it's the weight room or the film room.
High school, going into my junior year, I kind of had the idea I was going to be the starting running back. I was a little smaller, so I decided to gain weight and try to get faster. I wasn't a fan of the weight room. I thought just the God-given talent would take you where you needed to go. Now I understand that you need hard work.
You've got to stay in the weight room because those type of exercises relieve stress and tension. It's just like a stretch, when you do weight-lifting programs and regimens.
Sometimes you've just got to sit down, whether you're in the hotel room or on your couch at home, and really just appreciate what's going on around you.
Once you get out there and start playing basketball, whether the NBA or college or whatever arena you are playing in or who you are playing in front of, the juices start going, and you want to just go out there and play to the best of your abilities.
You have to do that every day, whether you're playing football or just in life in general. You've got to look yourself in mirror, and say, 'Hey, this what I'm not doing right.'
With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it the whole time the same way that the audience is sort of tracking it and following along.
Because I've got an AFI award, I feel there is a certain expectation when I walk into a room, you know, that 'That Deb Mailman must know something!' But I'm just as nervous with every experience. I still doubt whether or not I can pull something off. I still think, 'When is the review going to come along that says Deb Mailman's not very good?'
I took a private lesson, but it didn't really work out, so I went back to playing along with records. That's really the thing that got me into playing a lot - getting excited about playing along with my favorite bands like Zeppelin and Black Sabbath.
Whether it's in the weight room or extra stretching, you never know when you're going to need that little extra oomph.
Once we get out on the road, my tour manager who is also my guitar player does a great job of taking weight off of my shoulders where I can just focus on playing the shows.About two hours before every show, the pacing starts and the anticipation builds. I prepare for it just like I would when I used ride bulls, slap yourself in the face, wake yourself up and get your heart going.
You do see a few people and you are thinking of how that chemistry is going to work, but it's not really fair to put people who are auditioning together in a room. You have to make that judgement yourself, and that's partly where the casting director is so good. It was that blend that we were looking for.
There's a certain kind of neurological makeup that goes along with being a writer, and having been in the room with a few other writers at the same time, it's rather wearing to be around. And it does - there is a kind of hypervigilance about it. Unfortunately it's got disadvantages. If you turn that hypervigilance on yourself and, for instance, whether or not you have a pimple on the end of your nose, it can get really depressing.
For no. 1, it's great writing, super writing. The second thing is that it's great chemistry with all the actors. We just all got along from the very start. Very get-go, we all got along. We just - it was just like we were all meant to be there together.
People have got to stop fat-shaming and writing bad stuff. I'm not going anywhere. I'm going to be around for a long time. Get over the weight thing and look at yourself.
I was doing a show at the National Youth Theatre, playing an old man. Before that I had played fat clowns and I thought, 'If I want to have the career I would like, I am going to have to lose weight.' I was just starting drama school, and found I was moving around a lot. I also started to eat sensibly. The weight just dropped off.
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