A Quote by Tyler Blackburn

I'm very sensitive. It's always been something I'm very in tune with. — © Tyler Blackburn
I'm very sensitive. It's always been something I'm very in tune with.
I'm very sensitive. It's always been something I'm very in tune with. I am very emotional. Sometimes to the point of where I just want to hide away, because I can't get a handle on myself.
I'm very passionate, very emotional, very sensitive. I've always been like that.
Presumably there are energies, to which each human is sensitive, that we cannot yet detect by means of our instruments. Built into our brains and our bodies are very sensitive tuneable receivers for energies that we do not yet know about in our science but that each one of us can detect under the proper circumstances and the proper state of mind. We can tune our nervous systems and bodies to receive these energies. We can also tune our brains and bodies to transmit these energies.
I've been really very fortunate with the men I've been involved with. They've always really treated me very, very wonderfully. And whenever anything broke up, I was always the one to leave. So I think I've been really very, very lucky.
I've been waiting to have facial hair on camera for the longest time - I'm always playing teenagers, and I always have to shave. I'll let you in on a little secret: I have sensitive skin, and I'm a sensitive guy, so shaving is something that I don't look forward to.
From the time I was little, I'd been kind of freaked out by the whole deal with large groups of people. And even moderate - sized groups of people. It's always made me very uncomfortable. It's such a strange phenomenon, what happens to people when they're all moving in the same direction, all chanting the same tune, the same line of slogans or something. That stuff always seems very alien and bizarre to me, and kind of scary.
There are a lot of people who want to be famous nowadays: singers, actors and, you know, it's like a roller-coaster. And when you are very sensitive - I'm very sensitive - you have to be very strong... You have to just not pay attention to the people who hate you, you know?
I've always been very in tune to my voice and to other people's voices and how they express themselves vocally. And I always loved accents and dialects - I collected them like stamps.
I always thought I was funny, but I was very sensitive, and very provocative just to get a rise out of people.
Gimme the tune. Do I like this tune? Does it sound like another tune that I like? The more familiar it is, the better I like it. Hear those three notes there? Those are the three notes I can sing along with. I like those notes very, very much. Give me a beat. Not a fancy one. Give me a GOOD BEAT -- something I can dance to. It has to go boom-bap, boom-boom-BAP. If it doesn't, I will hate it very, very much. Also, I want it right away -- and then, write me some more songs like that -- over and over and over again, because I'm really into music.
You know, you're living in a society where if you say something that you might think may be OK, when it's more sensitive to that particular culture. You have to be very, very careful.
I'm feeling more and more thoughts that aren't songs, just reflections. I'm always been very shy and in some ways a prisoner in one language and I feel that the liberation of creativity has to be in all senses. So I've been deciding to publishing something very simple but very small at the same time, nothing egocentric.
If you look at a lot of the songs I've been involved in, there's always been this retro vibe. I started getting worried that I wasn't moving forward very much, nor was I even in tune with the music today. I almost scoffed at it.
A lot of people say I'm not very friendly, that I'm cold. But I'm just the opposite. I live a very simple life. I'm a normal person, very sensitive, very caring about those around me.
It's very advantageous to be sensitive with your work - and, yet, being sensitive, in reality, when criticized, it can annihilate you. It can destroy you. And with the internet there sometimes is a lot of harm, which I find must be very difficult for youngsters coming on - it can be very harsh; the criticism. And, sometimes, it can be a little cruel - which makes it hard for young performers coming on.
Promos have always been something that I've taken very, very seriously.
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