A Quote by Tyler Henry

In a reading, I might hear a voice, see an image or even get a physical sensation that corresponds with how someone passed. — © Tyler Henry
In a reading, I might hear a voice, see an image or even get a physical sensation that corresponds with how someone passed.
My sixth sense uses the other five senses to communicate. I may have a vision, hear a sound, get a smell, or have a physical sensation that corresponds with how someone passed. What I do revolves around noticing subtle differences in my mind and body - because they're messages.
I was thinking about how we're so in touch with our image now. That conception of ourselves, in a very physical sense, can be oppressive. You find people wanting to be in dark places, not really see themselves, see themselves as a filtered image. A curated image.
I got good at trying to throw a voice on a character from the very beginning as opposed to like reading it and sitting with it and mulling over it and stuff like that just try to read what it is and then try to put a funny voice to it like as soon as possible and stuff like that. Once you get laughs with your voice then you can start thinking about, you know the physical characteristics and how they might walk or if they stick out their buck teeth or if they wear an afro and stuff like that. I think like finding the voice of the character helps to like build the wardrobe and everything else.
Conscience is the inner voice which warns us that someone might be looking. Hear and you forget, see and you remember, do and you understand.
When I read, I hear what's on the page. I don't know whose voice it is, but some voice is reading to me, and when I write my own stories, I hear it, too.
It's better not to know authors personally, because the real person never corresponds to the image you form of him from reading his books.
Yes," she answers and does not move. She might, at this moment, be nothing but a floating intelligence; not even a brain inside a skull, just a presence that perceives, as a ghoast might. Yes, she thinks, this is probably how it must feel to be a ghost. It's a little like reading, isn't it-that same sensation of knowing people, settings, situations, without playing any particular part beyond that of the willing observer.
People avoid the telephone because it's easier to text. Calls can be awkward - you interrupt each other; you can't quite hear someone. But the advantage is you get to hear someone else's voice. You find out whether or not you can have a fluid conversation or if it's stilted and peculiar.
The abuse of food, alcohol, or drugs is essentially a material response to a need that isn't really physical at its foundation.. What we are looking for is pure joy rather than mere sensation, or even oblivion of sensation. Addiction is unrecognized spiritual craving.
Never think that someone else knows what's best for you. Trust your way and don't ask for so much advice. Learn how to be quiet and still enough to hear your own voice. It's up to you: Your voice will either be silenced or will get to roar.
You have to be able to connect to the world of archetypes. That is not so easy, and most people in the West have no clue, that that is necessary, because they have no clue of what that means. They see the image, they see Buddha here, but they don't see what the image represents. Its one thing to see with this physical eyes, it's another thing to see with this spiritual eye.
I remember, as a child, a particular groan that my father would sound when he crawled from the bed in the morning. I hear the same groan now, precisely, every morning, when I emerge from my own lair. It's more than an expression of physical weariness - it's an aching of the soul. Even the groans get passed down.
If you asked someone who was a Maori about how they felt about how they were treated in Australia or New Zealand, you'll get an answer. They'll have something to tell you. And you might not like what you hear.
He who prohibited the making of a graven image would never himself have made an image in the likeness of holy things [i.e., by creating an image of them here on earth]. Nor is there at all any composite thing or creature endowed with sensation [made by God here on earth] like those in heaven. But the face is a symbol of the rational soul, the wings are the lofty ministers and energies of powers right and left, and the voice is delightful glory in endless contemplation.
I started to concentrate more upon how the viewer looks at photographs... I would insert my own text or my own specific reading of the image to give the viewer something they might not interpret or surmise, due to their educated way of looking at images, and reading them for their emotional, psychological, and/or sociological values. So I would start to interject these things that the photograph would not speak of and that I felt needed to be revealed, but that couldn't be revealed from just looking at an image.
When I'm in line at the grocery store, I might pick up one of those tabloids. I might not even buy it. I'm just gonna sit there and read the headlines and chuckle at how stupid that stuff is, even though I'm reading it anyway.
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