A Quote by Tyler Henry

I think for me, growing up as an only child, I didn't have a lot of people around me or a lot of foreign influences, so growing up, I really kind of got lost in my imagination - for the better.
I don't drink at all. I don't condone any of that. And I'm also underage so everything I do is of course under a microscope because a lot of people are onto me growing up. But I won't mess up. I have a lot of good people around me.
I got a lot of empathy from my mother growing up, and I think it prevented me from ever really just writing people off.
While growing up in Birmingham around a lot of West Indian people, reggae and calypso were big influences early on but Otis Redding was the one person who made me wanna sing myself.
I figured out I wanted to tell stories in college. I'm an only child who moved around a lot growing up, and I really feel like it prepared me to be a storyteller - to make up stories and pretend to be every hero from every movie and TV show as a kid. So it was a natural progression.
I spent a lot of time in London when I was growing up and I've always picked up accents without even really meaning to. It used to get me into trouble as a child.
My grandfather was a massive influence in my music. Growing up, he would play a lot of old-school records to me. A lot of jazz and swing music, actually, growing up.
At any age, you are growing up at some level, but as far as maturing and growing up, a lot of that happens in your 20s: a lot of mistakes still to make and insecurities. But at around 27, I started to come into my own as a real adult.
I feel like in the reading I did when I was growing up, and also in the way that people talk and tell stories here in the South, they use a lot of figurative language. The stories that I heard when I was growing up, and the stories that I read, taught me to use the kind of language that I do. It's hard for me to work against that when I am writing.
When I was growing up, white people made fun of me. So it was always strange to me as I would gain prominence in hip hop, white people kind of accepted me more and they would talk to me more. It's so weird to me, growing up, thinking about that in my life. It really is a complete change.
Growing up around people with the same culture as me made me a lot tougher.
There were many influences on me while growing up. In the late Seventies and early Eighties when I was growing up in Hyderabad, it was a bit more laid-back, and that gave you time to think about things differently without perhaps being caught up in the narrow approach to one's journey through life.
People when they're growing up they just want to fit in, there are a lot of social pressures on young people today to kind of have it all figured out and know what they want to do, know who they are straight away and I've always tried to embrace that sense of pressure, but I've got people around me that do as well.
I grew up falling in love with kind of story, amazing, wonder tale of the East, which if you're a child growing up in India is all around you.And I think one of the gifts it gave me as a writer was this early knowledge that stories are not true.
When I was growing up, I didn't realize that the idiosyncrasies of my mother's character had something to do with our culture. After growing up and reflecting and making more Asian-American friends, I learned that a lot this is something a lot of people grow up with.
Growing up in the middle of nowhere, there was a lot of twangy music around, but it didn't really connect with me then.
I came up from growing up with a lot of Catholic guilt, a lot of punk rock, hipster guilt in the later years where I think people have thrown a lot of things on me. Where I always felt like I'm not supposed to tell the horn section what to play or I don't want to come off egotistical.
This site uses cookies to ensure you get the best experience. More info...
Got it!