A Quote by Tyler Herro

I think once you see a couple shots go down, and when you're getting shots in rhythm, the game flows. — © Tyler Herro
I think once you see a couple shots go down, and when you're getting shots in rhythm, the game flows.
I think [Otto Porter Junior] just took a couple tough shots so far - a couple tough jump shots - but I think he has a great mid-range game, he's very tall and can create his shot. So, I think with more spacing he'll get easier shots, I think he'll be fine.
When you're playing spot minutes, it's harder to hit those shots. But if you're getting volume shots, now it's a lot easier to get a rhythm.
Seeing the ball go in during the game, getting to your spots, getting spot-up shots. You have that rhythm and you have that confidence in yourself. And everybody else has that confidence in you too, more importantly.
There's two facets of this game. You know, if I'm not making shots, OK, then I have to do something on defense. So if I'm missing shots or making shots, it doesn't affect my overall game.
Although the assembly of the shots is responsible for the structure of the film, it does not, as is generally assumed, create its rhythm; the distinct time running through the shots makes the rhythm of the picture, and the rhythm is determined not by the length of edited pieces, but by the pressure of the time that runs through them. The pieces that 'won't edit', that can't be properly joined, are those which record a radically different kind of time
I just tried to make things happen, whether it was (my) shots or getting shots for other people.
If I'm blocking shots or changing shots or even preventing players from taking shots, I'm helping the team and we are likely to win when our defense is playing well.
Basketball is a game of sacrificing yourself for the next guy, being a team that takes good shots, and taking the right shots
Golf is not a game of good shots. It's a game of bad shots.
Even if it's just two shots, I just want to see the ball go in the hole. That gives me the confidence to know I can make shots when I'm called upon in a playoff type of situation.
You've gotta play a head game; especially blocking shots, you've gotta make it hard. You're playing against the best of the best: they're not gonna go straight to the basket, do a layup. You've gotta lure them into some shots.
You don't have to hit perfect shots all the time here. The variety of shots you get to play, the shots you sometimes have to hit along the ground, it's just a lot of fun to me.
I try to do a good job of contesting shots and blocking shots and altering shots, but I've got to do a better job of doing more.
You go through periods of times where bands are calling the shots, and then sometimes, you've got the record companies calling the shots. I think it has to be a bit of both to make the thing work.
I like to play attacking shots, even if it is in the first over of the game. If I get out playing attacking shots, then so be it.
I believe that good defense embodies seven cardinal principle: reduce the number of your opponent's shots; force your opponent into low percentage shots; control everything within 18 feet; eliminate second shots; no easy baskets; point the ball on all long shots; and prevent the ball from going into the pivot man.
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