You can wet the rim of a glass and run your finger around the rim and it will make a sound. This is what I feel like: this sound of glass. I feel like the word shatter. I want to be with someone.
I do all the dirty work: play defense, grab rebounds, block shots and finish strong around the rim.
I think, for me, I'm making the right plays and finding my teammates if I'm not open and finishing strong around the rim.
I'd like to be in a position to have plays run through me and share the ball, make plays. Still score, obviously, but make plays, as well.
I have friends come over and we read plays out loud and I make paintings and I just do things all the time just so I don't ever feel like I'm sitting around.
With a rim-runner like Rudy Gobert - not a lot of guys can set picks like he does, run to the rim and go get it way above the glass.
Sometimes you've got to be able to finish at the rim.
I start songs all the time. If I weren't so lazy, I would finish them. It's like when I have a deadline I have to. I always feel very lucky that I am forced to make records at certain times. If I was forced to make 2 records a year, I would write twice as many songs. I can't make myself finish something unless I am forced
I'm constantly trying to make myself better, to learn more. I didn't finish college, so I feel like I'm always having to prove myself. I don't want to feel like the smallest person in the room.
I took it upon myself to be more aggressive. I wanted the ball. Coach gave me the ball and I just tried to attack (and) make plays, just take it to the rim and see what happens.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
I feel like I've been around performance my whole life. My mom and uncle had done plays.
People don't last long in this game. I feel blessed that I've been able to stick around and play at a high level for my entire career, which is another hard thing to do. That's the only way you stick around - if you're out there and you're able to produce and make plays.
I understand the plays, the depth, the routes, the splits and everything. I just feel good that I can make some plays. Definitely, the game's slowed down for me.
Actually, I'm getting one made up with eight necks and I'm going to get a wheelwright to make a big rim around it and then I can do cartwheels off the stage.
Sometimes I think the experience of a play is finished for me when I finish writing it. If it weren't for the need to make a living, I don't know whether I'd have the plays produced.