A Quote by Tyler Hilton

There is also something exciting about the risk. Somewhere in me is a sadist that likes pain, I guess. — © Tyler Hilton
There is also something exciting about the risk. Somewhere in me is a sadist that likes pain, I guess.
The other exception to the rule regards dealings with masochists. A masochist derives pleasure from being hurt; so denying the masochist his pleasure through-pain hurts him just as much as actual physical pain hurts the non masochist. The story of the truly cruel sadist illustrates this point: The masochist says to the sadist, "beat me." To which the merciless sadist replies, "NO!" If a person wants to be hurt and enjoys suffering, then there is no reason not to indulge him in his wont.
I like the idea about somewhere there being a world... somewhere there's a world that I don't know about. But also, that somewhere, there was once something that disappeared.
Some were getting married; some were getting divorced. People were in different places, but you had enough time on this earth to actually get somewhere, and I think that's the exciting thing about being 36 and in your mid-30s. You've been somewhere, and you're going to go somewhere. It's fun; it's exciting.
I don't speak about my pain. My pain is something that doesn't need to be purged. I want to prevent people from suffering. I don't speak about my suffering. Suffering is something personal and discreet. Also, I know it will never leave me. I don't want it to leave me. It would be a betrayal.
to love is to risk, not being loved in return. to hope is to risk pain. to try is to risk failure. but risk must be taken because the greatest hazard in my life is to risk nothing.
Everyone likes to tell stories. And gossip is, of course, even more exciting, if you know the people. But if the gossip's about yourself, it's very weird. They once wrote about me that I had been clubbing with some guys. At the moment I'm a victim and that hurts because it's not me who does something like that. Such stories are just unfair.
I'm an introspective human being and someone who likes to be alone in a room. The idea of going out and talking to people...there's something appealing about it, but also there's something that feels alien to me, as a cynical Irish man.
It's funny because being comedic and happy and lighthearted is who I am as a person, so they're easier emotions for me to connect with. The challenge is accessing pain, angst, depression. . . It's more exciting because it gives me somewhere to go and allows me to tap into a part of myself that everyone can relate to.
I always had a wicked streak in me, the sadist side in me also comes in my comedy films.
You try so hard to make something that's fun and exciting, then all anyone wants to talk about is how no-one likes you. It gets very grinding. I had to let the chip I have on my shoulder about that go.
To laugh is to risk appearing a fool. To weep is to risk appearing sentimental. To reach out to another is to risk involvement. To expose feelings is to risk exposing your true self. To place your ideas and dreams before a crowd is to risk their loss. To love is to risk not being loved in return. To hope is to risk pain. To try is to risk failure. But risks must be taken, because the greatest hazard in life is to risk nothing.
Dream projects are always a funny thing to label. I guess just more exciting scripts in my inbox. Maybe an exciting script about John Lennon.
I guess I realize that I don't want to die. I don't want to live either, but-there really isn't anything in-between. Depression is about as close as you get to somewhere between dead and alive, and it's the worst. But since the tendency toward inertia means that it's easier for me to stay alive than die, I guess that's how it's going to be, so I guess I should try to be happy.
It's hard because I think I fall into this in-between space where there's something that's innately feminine about me, and there's also something that's kind of androgynous. I carry myself somewhere in between, and I think my music lends itself to that as well.
The risk is only in the outcome. You're going on a journey. You're going somewhere to play. And at that time, it felt right to spend that 11 or 12 days exploring this kind of role because it was so different and so challenging for me. It was really exciting to be able to show people, "Look, this is very different. Isn't it interesting?"
I guess lyrically they're similar because they're talking about escaping the kind of misery that likes company. 'The Last One Alive,' for me, is very simple. It's just about alienation, really, that causes anger.
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