A Quote by Tyler Hoechlin
I honestly think the impulse is to grab something and capture it, and not capture a moment that you want to remember, but just capture an image that you want other people to see right away. It's about how someone is going to "like" this and it's no longer an experience. It's just this constant sharing of images. I personally don't like that very much.
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I love to just listen and watch. I could happily watch a security camera at a store. Often during a day I'll see a guy selling pretzels or an argument that somebody's having on a stoop and I'll think, "Oh I wish I had my camera, I wish I could capture this moment." There's something about people being people and interacting that can be so beautiful when it's framed by a camera. That desire to capture people as they are, and the stubbornness to keep going when they don't necessarily want you to capture them being who they are, are key.
Now when I see something beautiful or funny or sweet, sometimes I reach for my camera, but other times I think, 'I need to let this moment exist. I don't have to capture everything. I just want to experience it.'
I remember having been with this book [Into the Forest] for a long time, and I remember the moment that she [Patricia Rozema] sent me the script and what it was like to read it for the first time. I just was so blown away by how she managed to capture the story and their relationship to each other, and the nuances of that.
The image isn't just created with the camera. That's just part one. The editor gets an imprint. The colorist does something to it. Visual effects does something to it. It's not just what you capture that people are going to see. The image gets made in many ways. In production and then in post.
To speak technically photography is the art of writing with light. But if I want to think about it more philosophically, I can say that photography is the art of writing with time. When you capture an image you capture not only a piece of space, you also capture a piece of time. So you have this piece of specific time in your square or rectangle. In that sense I find that photography has more to do with time than with light.
You never know when someone is videotaping you or trying to capture your image. I see how it makes some people crazy. But I am really lucky. I don't understand it. I really, honestly, am much more focused on my personal life.
People talk about perfect timing, but I think everything is perfect in its moment; you just want to capture that.
GoPro is ideal for pro-active capture, meaning, 'Hey, we're going to do something fun, and we're going to capture a video of it.'
Life is so fluid that one can only hope to capture the living moment, to capture it alive and fresh ... without destroying that moment.
Inspiration doesn't really work like that - you're not looking out for it. Inspiration is something that tends to capture you rather than you capture it.
You turn into this desperate dude looking for a shred of attention when you just had so much. It's like, "I'm just lonely and all I really want is a hug, but I gotta capture that in something real gross." You start to understand why circus clowns are alcoholics.
Working in the Arctic is definitely colder, but not necessarily harder. There were different challenges. And in many ways, Chasing Coral was even more of a struggle for me personally. And more of a struggle to capture. Glaciers right now are changing very consistently. The interesting thing that we realized with Chasing Coral was that the corals reefs. They can go from living to dead in two months. And if you're not there at the right time to capture that before and after, you just show up and it's a dead reef. So it was a challenge to be at the right place at the right time.
People sometimes come up to me, and it's like they just want to capture Passenger. I feel like Pikachu. Sometimes, in the more sort of depressing moments, it feels like it's not about the music, it's just about the photo, and that really worries me.
We get so many requests like, 'We want behind-the-scenes access,' or 'We're going to show people what it's really like to be on the campaign with Donald Trump.' But there is just no way that a camera or an episode or a documentary could capture what has gone on.
I think being attracted to mistakes is one of the things that film can capture in a way that theater can't. Film can capture a moment of spontaneous life that will never be captured again.
Motion-capture is not a genre. Motion-capture is a tool and technique and what we tried to do was to really use both motion-capture and traditional animation to build a system.
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