A Quote by Tyler Hoechlin

I loved the Romeo and Juliet of the whole thing; this forbidden love between these two characters. — © Tyler Hoechlin
I loved the Romeo and Juliet of the whole thing; this forbidden love between these two characters.
I feel that for the story of 'Romeo and Juliet' to be impactful, it has to be believable, and there has to be a certain level of chemistry between the two characters.
Here is something that Peach, one of the Casserole Queens, says about men and women and love. You know that scene in Romeo and Juliet, where Romeo is standing on the ground looking longingly at Juliet on the balcony above him? One of the most romantic moments in all of literary history? Peach says there's no way that Romeo was standing down there to profess his undying devotion. The truth, Peach says, is that Romeo was just trying to look up Juliet's skirt.
I always wanted to be Romeo, not Juliet. Romeo is a much cooler way to be - Juliet's just up in a balcony, waiting.
Romeo wants Juliet as the filings want the magnet; and if no obstacles intervene he moves towards her by as straight a line as they. But Romeo and Juliet, if a wall be built between them, do not remain idiotically pressing their faces against its opposite sides like the magnet and the filings with the card. Romeo soon finds a circuitous way, by scaling the wall or otherwise, of touching Juliet's lips directly. With the filings the path is fixed; whether it reaches the end depends on accidents. With the lover it is the end which is fixed, the path may be modified indefinitely.
I wanted to make a real love story with a bad ending, because a love story that ends good is the life of everyone - you and I, for example. I always say to people, You know, if Romeo and Juliet got married, nobody would care about them. Imagine Romeo and Juliet, six kids yelling, mama, mama, papa, papa.
This Romeo character is something I decided to create, like my alter ego. So the name Romeo was invented from the original Romeo and Juliet. I wanted to show people I'm like a modern Romeo.
I love William Shakespeare. He wrote some of the rawest stories. I mean look at Romeo and Juliet. That's some serious ghetto expletive. You got this guy Romeo from the Bloods who falls for Juliet, a female from the Crips, and everybody in both gangs are against them. So they have to sneak out and they end up dead for nothing. Real tragic stuff.
Romeo and Juliet' is two love addicts acting out, and look how that ended.
I always say to people, 'You know, if Romeo and Juliet got married, nobody would care about them.' Imagine Romeo and Juliet, six kids yelling, 'Mama, Mama, Papa, Papa!'
The best kiss in nature is not between Romeo and Juliet, but it is between a dying autumn leaf and a shiny water drop!
'Romeo And Juliet' is the classic love story. When two lovers are separated and trying to get back to one another, that's fiercely romantic and something you become glued to.
I was in Siena and decided I wanted to write a story set there. Then I discovered that the original story of Romeo and Juliet was set in Siena. It occurred to me that this was too much of a gift - I had to do it. That's how I ended up writing a parallel story to Romeo and Juliet.
I think 'West Side Story' is one of the greatest, if not the greatest, musicals ever put onscreen - or stage, for that matter. I, frankly, like Zeffirelli's 'Romeo and Juliet' very much, too. I grew up with that... I loved it. I loved the score; I loved the acting.
'Romeo and Juliet,' 'Manon,' 'Giselle' - they are not stupid stories. They have fantastic characters. They have a big package of emotion.
As Romeo and Juliet found to their cost, marriage is never just about two people falling in love, it is about families.
I did a crazy version of 'Romeo and Juliet' once, and I played Romeo.
This site uses cookies to ensure you get the best experience. More info...
Got it!