A Quote by Tyler Joseph

It's hard not to be affected by the live audience. — © Tyler Joseph
It's hard not to be affected by the live audience.
I'm affected by the characters I play, and sometimes they're hard to live with.
'Full House' was the first time I had ever been in front of a live audience. I said a line I had rehearsed with my mom, and they laughed. It was wild. To have that energy of the live audience was like, Whaaat? Feeding off that live audience was, to a 4 or 5 year old, a high.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
'Ted Lasso' has affected all of us - affected the cast, affected the crew, affected the writers. You can't really make a show like this without being accountable, and looking at your own behavior.
My favorite movies are movies that I go in and I leave deeply affected. Whether I laugh really hard or whether I cry really hard, I just want to feel really affected in that moment.
If you address yourself to an audience, you accept at the outset the basic premises that unite the audience. You put on the audience, repeating cliches familiar to it. But artists don't address themselves to audiences; they create audiences. The artist talks to himself out loud. If what he has to say is significant, others hear & are affected.
Live Free or Die Hard may work better for an audience that doesn't know much about the series is than it will for Die Hard die hards, who will be wondering who that impersonator is and what he did with the real John McClane. The original Die Hard came out of nowhere to blitz the 1988 summer box office. The fourth installment arrives with a weight of expectations that Atlas would have trouble shouldering and, when the dust settles in September, it's unlikely that Live Free or Die Hard will be one of this year's big success stories.
Getting an audience is hard. Sustaining an audience is hard. It demands a consistency of thought, of purpose, and of action over a long period of time.
The adrenaline of performing live in front of an audience is a feeling that's hard to replicate.
When you perform with a live audience, the audience comes back to you, so that you and the audience are giving to each other, in a sense. It's an extraordinary thing. It's wild turf up there.
Every single performance of 'Fleabag,' I would learn so much from the audience reaction or how you could change it all the time, and I loved that sense that the performance is ever-growing and changing and could be affected by the audience.
I love the theater because I love the live audience and when we went three cameras we have a live audience in the study so we had someone to play to and react to. That laughter.
I do actually like performing to a live audience. I like the response. I do a lot of Doctor Who conventions now, and the reason that I do them is that there is a live audience I can get to directly.
I find animated movies very touching. They reach an audience that's hard to get with a live-action film.
It's very hard to argue against the message that we all have AIDS. It's not hard to make the case that we all have been affected, both culturally and spiritually.
Some people say it is hard to live in such a way, being completely one with the present moment. Of course, it is not hard. The opposite is hard. Not being one with life is hard, and that is how most people live.
This site uses cookies to ensure you get the best experience. More info...
Got it!