The pool table, like bathroom graffiti and horrible lighting, is a dive bar staple.
Most actors are lucky to ever get a job, period. I never forget that, because I have so many actor friends in L.A., and most of us barely ever work. And those of us that do, it's still only 60 days out of the year that we're actually on camera. It's an absurdly low number.
You can't write about a horrible restaurant - if it's a Ma & Pa restaurant no one wants to see you kick Ma & Pa in the chops.
When someone shuts down on you... There were a couple of times of somebody that was just unpleasant, and you can't get them to loosen up. It's this horrible spiral when it's on camera, because you're trying to get them to like you, to trust you, to give you decent answers.
Trying to get somebody excited about learning and trying to get somebody to think in a moral context have begun to have a lot more significance to me.
For us, as artists, our goal isn't to forever try to play at the biggest venue ever. Our goal is to make music and keep pushing ourselves creatively, whether it gets attention or not. If we get to do that without being broke? That's our goal. And that may not mean that's going to result in us playing the biggest venue in the world.
I still believe pattern fascinates on its own. And three-sevenths of a pattern, or even a smaller fragment, can fascinate still more--get us really hunkering down, trying to tease out the whole of the figure in the carpet.
I lived across the street from Noodle Bar. I could barely stand it, because you're there all the time; you can't get away.
In Romania, I train on a bar that is bent. My gym has bad lighting and very little heat in the winters. Here in America, you have everything you need to train. It's not in the bar or the gym or the platform it's in you.
There is a relationship between humor and fear. Think of all the gags you ever heard that have to do with dismemberment, or something that's horrible in one way or another, even if it's just horrible in the sense that somebody's being embarrassed. What do kids laugh at? Kids laugh if your fly's down. That's hilarious. But for the kid whose fly is down, it's a horrible situation.
I noticed that the crowds in the US seem to do a lot more moshing than European fans. But it's also different from venue to venue and really hard to say.
Dating is horrible, it's awful. I don't get it. It's like you're standing there: 'Hi. Do you want to have sex and later wish you hadn't?' It's horrible. And it's awkward at 42 because I don't have the body or the drive. I just sit in the car and hope somebody gets in.
This, I think, is how people survive: Even when horrible things have been done to us, we can still find gratitude in one another.
I wouldn't even feel sorry for us if I was going against us. I know teams are licking their chops. The Bulls or Milwaukee, they're excited. Even though somebody is hurt they're still excited because they feel like we're a man down and we might not be as strong, but we're confident here. We got the players to still make something special happen. Guys just have to step up as a unit.
People like to set the bar high. I like to put the bar on the ground and barely step over it. I like to keep the expectations really low.
When I started lifting weights, I remember I could barely bench the bar. I mean, I'm shaking all over the place, the bar's falling, and I'm like, 'I can't lift 45 pounds,' but it just goes to show how much work I put in.