A Quote by Tyler Kent
Tell me about the rains that washed and wore you down. About the travels you took to find yourself and how you left a part of you in every place, yet somehow always came back more complete.
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When I got to Nashville, people started asking me about how I got into country music. I'd tell them I came from a place where people wore cowboy hats for a real reason.
How do you tell somebody how to find what they're looking for when ten years ago you came from the same place, and have yet to find it yourself?
Most people prepare for travels by reading about their destination; it always seemed an odd approach to me. I find it much easier and more pleasant to focus with the sights and smells of a place rattling around in my mind.
When my mother didn't come back I realized that any moment could be the last. Nothing in life should simply be a passage from one place to another. Each walk should be taken as if it is the only thing you have left. You can demand something like this of yourself as an unattainable ideal. After that, you have to remind yourself about it every time you're sloppy about something. For me that means 250 times a day.
I get moments where you slide and there's an adrenaline shoot, but the moment you scare yourself is the moment you give up. I think what probably scares me more, is that you're involved in something that is quite surreal and you have to be able to bring yourself back down to earth and that's where when you come home and your kids are just excited to have daddy home and tell you about their day, that's one of the greatest things to bring you back down to earth.
If I meet a wise person, I think, 'Yes, tell me more about parenting, about marriage, about how to stay in love. Tell me more about how to be a decent person living in a world that's filled with chaos.'
'An Education' was a complicated piece of work because it came from a tiny essay, so it took me a while to find the story I wanted to tell and the characters I wanted to tell it about. That really only emerged after four or five drafts.
Mrs. Cadbury: Tell me what you know about yourself. Anne Shirley: Well, it really isn't worth telling, Mrs. Cadbury... but if you let me tell you what I IMAGINE about myself you'd find it a lot more interesting.
For me, the experience of not living in America was recognizing that I was American. You don't think about yourself being so culturally encoded, so nationally stamped; you don't discover that when you're a tourist for a month. You see how you reflect the place you're from. When I came back from living in Europe, I was very struck by how I didn't see America as the center of the world in the same way. It's very easy to slip back because America is so powerful. But any place you live is the center of the world.
I don't think Roger Dodger is really about men. I think it is more about relationships and about how you present yourself, not only to the opposite sex, but to yourself. What lies are you going to tell yourself in order to get through the day?
I came to L.A. with confidence in my craft, and I was very offended when I didn't get a part. It took me awhile to understand that it is not always about your acting.
People ask me about staying here. I think they assume that I wouldn't want to come back to a place like Mississippi, which is so backward and which frustrates me a lot. The responsibility that I feel to tell these stories about the people and the place that I'm from is what pulls me back.
You take yourself to a place where you've got absolutely nothing left and then you find out you have to push yourself one more step. That's a tough place to be in.
My deal is to understand: you trust me, I trust you. It's a two-way street. Developing that happens over time. It's hard. I look forward to that. I look forward to being a part of these guys' lives. This isn't just about ball. This is about creating a brand for yourself. This is about setting you apart for the rest of your life. That's kind of been how I do it. I look forward to being involved in these guys' lives. Part of that is winning some ballgames. I've got a blueprint on how that works, yet every place is different, so you need to adjust the blueprint based on what's there.
Charisma seems to be more about the intoxicating quality that you have on other people, as opposed to presence, which is more about the self in relation to others, and how you feel you represented yourself in a situation, and how you were able to engage. So it's less about how others see you and more about how you see yourself.
Love wasn't a happening one decided on---to indulge or not, to partake or not. To feel or not. When it came, when it struck, the only decision left to make was how to respond---whether you embraced it, took it in, and made it a part of you, or whether you turned your back and let it die.
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