A Quote by Tyler Oakley
I'm trying to leave more of my calendar open for the spontaneous things. A lot of fun stuff that happened in previous years were things that were like, 'Hey are you available next week?' I wasn't really open unless it was planned months in advance. I'm excited to play it by ear and let a lot of stuff happen as it happens.
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For about seven years. I really like it there. There are a lot of great musicians. The scene is very open. A lot of stuff going on. People's ears are really open, they are not closed. A lot of scenes here, people just get tunnel vision and are into one thing.
I have an idea of a set of colors and see what I have. A lot of things, the best, more magical things in the paintings just sort of happen. They aren't things I thought of in advance. They are more things I am given. What paint does, in watercolor more than oil but it happens in oil too, are things one never expects if you work freely. I suppose I learned a lot coming to this after years of playing improvisational music. I have to trust my intuition and I work in the moment, when that moment seems to be happening. And to leave it alone when it is not.
My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
Well, I think that's been my career. I always choose stuff that's the same, yet different. These projects just happened. I didn't plan it out that way. I just happened to be free, and the director, Dan Pritzker, decided to do his film again. I say again because we did it seven years ago. A lot of the actors were not available, so he just couldn't wait anymore and he recast everything. Me and two other characters are the only people involved with the new one, who were involved with the previous one.
The point of Silicon Valley at least when I moved here was we're all trying to do stuff and none of us quite felt like we fit in anywhere else. But we were all trying to do good things. And the money was just the byproduct of good things. The idea that there's an obligation to have that thing happen in four years or five years or six years, I think we need to disavow that.
Coming from a sort of very rigid European type of training to this culture which is just a little more open - a lot more open, and kind of curious, and asking different sorts of questions.Because the problem for me was that the European modernist movement in the '70s was all about right or wrong. Some things were right and you were dealing with the truth, as it were, and then some things were wrong and therefore not allowed.
I saw a lot of bad things happen by people I know and to people I know. There were a lot of different gangs around and sometimes you found yourself in conflict. I found myself attracting negative things because I was in a negative environment, I was pre-determining this stuff before it happened.
We were all anti-Reagan, we were all politically-aware, we were all anti-war and things like that. These days a lot of the newer bands don't even really talk about that sort of stuff anymore.
I don't really know that this story has a whole lot of things happen in it. It doesn't really. It's just a record of how things were in my life during this last winter. I guess things happened, but nothing out of the ordinary.
Now if I go through it again, I think I would be a lot more open about it. I admire people who have been open like Melissa Ethridge and women I see walking around facing it without wigs and all of that stuff. I think I would be more courageous next time.
But by us doing a lot on the road, we were able to afford things like videos on the tours, cartoons that we'd open up the shows with. We were doing that way back when and now it's the hippest thing to do. We're just coming back around, I guess trying to play catch-up.
There were the usual types of things that happen, in a production, like logistical bullshit, and this and that and the other. That's the sort of stuff that happened. But I never felt, in a creative sense, that we were ever veering into a place that I hadn't signed on for.
When we were doing noisier shows, they were fun, but we were trying to be really obnoxious and it wasn't like we were trying to make good music. I mean, I'm happier when we have smoothed out a little bit. I think that the spirit of the noise and experimental stuff is still there, but it's easier to do when you're a freshman in college.
I still feel like there are so many things that I have to do to really become an icon. I've done a lot and laid down a lot of groundwork, but there's so much more work to be done. There's a lot more that I want to do, LGBTQ centers that I want to open. After I leave my legacy, then I will be that icon.
It was dangerous stuff. We were running on top of moving trains. We got to do amazing things. I like doing stuff like that. I enjoy it. But believe me, there were things that were so dangerous that I wasn't touching them.
It's been really slow obviously, but I'm not worried about that. I feel like from where I was a couple months ago, things are a lot better. Just being able to skate and stuff was encouraging. Hopefully the next step doesn't have any hurdles.
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