A Quote by Tyler Oakley

I knew I could make a living doing my own videos instead of making them for someone else. — © Tyler Oakley
I knew I could make a living doing my own videos instead of making them for someone else.
We buy things. We wear them or put them on our walls, or sit on them, but anyone who wants to can take them away from us. Or break them. ... Long after he's dead, someone else will own those stupid little boxes, and then someone after him, just as someone owned them before he did. But no one ever thinks of that: objects survive us and go on living. It's stupid to believe we own them. And it's sinful for them to be so important.
The ability to walk in someone else's shoes, or in my case, play down in someone else's cleats is one of the very best things you can do. There's nobody in this world who doesn't have that voice in their head. Sometimes it's the best voice in the world, and it pumps you up, but sometimes the voice is down. I wanted my players to be able to hear my voice in their head instead of someone else's because I knew that was a narrative I could control.
There was a long stretch of time where I was making these videos, and everyone just thought I was a weirdo because I was making videos in my apartment instead of, like, going out, you know. And so I, like, it's hilarious now because everyone gets YouTube now. But, you know, in 2006, when I started making videos, like, no.
I knew little, but at least I knew that: no one could speak for someone else. That although we might want to tell other people's stories, we always end up telling our own.
I started out as musician and recording artist but quite soon started to do my own videos. One thing led to another, and soon I was making videos for a living.
I saw so many opportunities in the U.S. because I knew that I could make a living doing things I could never do in Romania.
When people ask if I have any advice for young designers, the best advice I could ever give to somebody is to work for someone else, when you are playing with someone else's money. It is very expensive when you start doing it on your own.
But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.
Videos is the worst. Let me make it clear: Videos suck. It sucks making a video. It's happy when it's over and edited and online, but making it, it ain't really too much fun.
Producers think in the language of abundance rather than scarcity, take initiative instead of waiting for someone else to provide them with opportunity, and boldly venture wise risks instead of surrendering to fear that they can't make a difference.
I've been making Vine videos for a couple of months. They're just six-second little videos, but I really have fun doing them. It's just fun to feel like you created something.
People are always pleased to indulge their religiosity when it allows them to stand in judgment of someone else, licenses them to feel superior to someone else, tells them they are more righteous than someone else. They are less enthusiastic when religiosity demands that they be compassionate to someone else. That they show charity, service and mercy to everyone else.
The good thing about doing a comic that's entirely my own voice as a debut is that people approached me with similar jobs, with stuff that they knew that I could do justice to because they had read what I'd already done. It meant that I was getting jobs that I was actually interested in, and I didn't have to prove myself on someone else's property.
I've never tried to be accepted. When everyone is doing one thing, I've always had the instinct to go the other way. I don't understand how an individual with their own mind, their own values, and their own beliefs can be so willing to just follow what everybody else is doing. How can you make history doing what everybody else is doing?
When I was doing something on someone else's dime, I was inclined to try to anticipate what they wanted. I knew that wasn't what an artist was supposed to do. In funding my own music, I found my voice.
Take back your light. Know that when you're in awe of someone else's greatness, you're really seeing yourself. Identify what you most admire or love about others and see how you can nourish those qualities and bring them out in yourself. Instead of fixating on someone else's brilliance, find ways to develop and demonstrate your own.
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