A Quote by Tyler Oakley
Nowadays, if somebody in America is feeling alone and wants to find a coming out story, they just search 'coming out,' and they'll find millions of first-person examples of people telling their story.
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I did a film called 'Worlds Apart' about a Jehovah's Witness. I was the love interest - the male lead - but the story was about the female lead, a young girl who is a part of this cult, and she wants to break out. She meets a guy who has to help her. She has to find out who she is. It's more like a coming of age story.
The convention of the coming-of-age story and the love story were literally abandoned - because they had to be - and a new kind of coming-of-age and love story emerged that required a different kind of telling the story.
I find the mediums to be incredibly different. In theatre you're telling the same story eight times a week, and in TV that story is constantly changing and you're often telling it out of order based on shooting schedules.
The biggest story in all of politics are the millions of people that are coming out to vote for me, in all fairness, for the Republican Party.
Do not think your story [for a one-person show] is unique. . . . your story is the same as millions of others. But that's o.k. - you just need to find the one or two things that makes your story interesting enough to justify someone leaving their apartment and exchanging currency.
It was exciting to play a gay person in high school who's really proud of himself and isn't dealing with the sort of typical story line - the coming-out story - but is already out and sort of an advocate in his own way.
You want to have a feeling when you sing that you just love singing; you love the feeling of singing, and you love this feeling of this voice coming out of your body into this world. It's about really getting that most beautiful, pure, centered tone, thinking about the story of each song and the lyrics, and connecting your own life to that story.
Someone coming out as gay shouldn't be newsworthy; it shouldn't be warranting a magazine cover or anything like that, which I had as my story for coming out.
If you find a story that everybody likes and everybody relates to in some way, then you know you have a good story. But if you're telling a story and all the women are going, 'I'm checked out of this, I just don't really care,' then you're going to have some problems.
I know the difference between someone coming up to you on the street and saying, 'Hey, you're that dude, right. Yes, that's what I thought,' and somebody coming up and saying, 'Big fan of the show. Big fan of that character.' And that's nice. You're out there telling stories, you're hoping to find an audience, and it's very appreciated.
Just hearing somebody's voice in center field, it helps our guards out to know where they need to go, when the screen is coming, when the back door is coming, when the flare is coming. When different things like that happen and we're talking, it helps us all out in the long run.
I probably wouldn't have done [ Fred Leuchter story] if it was just a story about an executioner or a holocaust denier, but the combination of the two elements was irresistible. So yeah, I find it strange that there are so many people out there now.
When you understand, that what you're telling is just a story. It isn't happening anymore. When you realize the story you're telling is just words, when you can just crumble up and throw your past in the trashcan, then we'll figure out who you're going to be.
I wonder what it is that the people who criticize me for telling this story truly object to: is it that I have dared to tell the story? Or that the story turns out not to be the one they wanted to hear?
I've got a New Zealand film coming out here called Out of the Blue. It's a very heavy story, and it's the first time I've played a character who is alive.
The first time you go on holiday is the test of a relationship, when you really find out if you're compatible or not. You find out what's annoying about that person, and whether or not you're willing to put up with that because you love them and you don't want to be alone.
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