A Quote by Tyler Perry
If you look at 'The Have and the Have Nots,' I didn't want to write a show where everyone is great and wonderful and perfect. I wanted to write it so that you're not really sure who the haves are. You look at Hanna, and you see that she doesn't have much, but she has great faith.
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I believe that basically you write for two people; yourself to try to make it absolutely perfect; or if not that then wonderful. Then you write for who you love whether she can read or write or not and whether she is alive or dead.
Once upon a time there was a girl who wanted to put her fist through a mirror. She would tell everyone it was so that she could see what was on the other side, but really, it was so that she wouldn't have to look at herself. That, and because she thought she might be able to steal a piece of glass when no one was looking, and use it to carve her heart out of her chest.
But having more freedom she only became more profoundly aware of the big want. She wanted so many things. She wanted to read great, beautiful books, and be rich with them; she wanted to see beautiful things, and have the joy of them for ever; she wanted to know big, free people; and there remained always the want she could put no name to? It was so difficult. There were so many things, so much to meet and surpass. And one never knew where one was going.
She told fortunes for a living. It's a wacky book and was great fun to write. It is very much a look at what life was like for women in Australia in the 1960's.
We have no faith in ourselves. I have never met a woman who, deep down in her core, really believes she has great legs. And if she suspects that she might have great legs, then she's convinced that she has a shrill voice and no neck.
We have to have faith in ourselves. I have never met a woman who, deep down in her core, really believes she has great legs. And if she suspects that she might have great legs, then she's convinced that she has a shrill voice and no neck.
Look at Nicola Walker in 'Last Tango in Halifax.' She has the most wonderful face. You just want to look at her. And if she'd gone off and had Botox and facelifts, I wouldn't want to look at that face because it wouldn't express anything.
My mum will always come and see my shows if she can, and if she can't, she'll text or email just before wishing me a great show and telling me how much she loves me. She still gives tonnes of positive reinforcement and love. It's really remarkable what that does for a child, and it's really remarkable what that does for me as an adult.
My mother wanted to be a mother. That's the only thing she wanted from the bottom of her heart. She didn't want to be the number one actress - which she was - and she didn't want to be this great legend. All she wanted to be was a mother and she did but God took her away. So I always will empathise and sympathise with women.
She (Judy Garland) was a friend of mine, a trying friend, but a friend. That is what I tell myself: She did everything she ever wanted to do. She never really denied herself anything for me. See, I say, she had a wonderful life; she did what she wanted to do. And I have no right to change her fulfillment into my misery. I'm on my own broom now.
In some instances, I don't care what people think. In other instances, I do - especially because of the stereotype. People take a look at me and say, 'She's cute. She's blond. She's an actress. She's a bimbo.' You know? So I take great pains to show I'm intelligent, to show I'm not a twinkie.
So many people look up to Jennifer Lawrence playing Katniss in 'The Hunger Games.' For them to look up to Rey and what she represents would be fantastic. She's a wonderful character... The reason I love her so much is she does all the fun stuff. She fights, runs and protects herself and has an incredible emotional story.
She was the epic crush of my childhood. She was the tragedy that made me look inside myself and see my corrupt heart. She was my sin and my salvation, come back from the grave to change me forever. Again. Back then, when she sat on my bed and told me she loved me, I wanted her as much as I have ever wanted anything.
I don't spend a lot of time online. My mother's really good at picking out if she sees a really great review, and she'll forward it to me. She's like my little Internet filter. It's always nice to see something going up; if I want to find something on Nathan Fillion, I do know where to look, but I've got a nice little delivery system in my mom.
I think there's much more privileging of the new in art. I think people want to think they privilege the new in writing, but I agree with Virginia Woolf. She wrote a great essay called "Craftsmanship" about how difficult it is to use new words. It's really hard, but you see them coming in because obviously, if you're going to write... I mean, even to write "cell phone" in a novel - it's so boring.
I think it's mainly when I need inspiration I look at the old pictures. I don't find it as much in the new stuff. I love Carole Lombard. I think she's wonderful. Gloria Grahame was really great. Garbo. Dietrich. People knew how to create an illusion. Now everything is very realistic and straightforward. Everyone's grunge.
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