A Quote by Tyler Perry

I've always believed in God, from the time I was very, very young. I always knew there was something with me, not necessarily knowing what to call it. — © Tyler Perry
I've always believed in God, from the time I was very, very young. I always knew there was something with me, not necessarily knowing what to call it.
The reason I always loved 'The Omen' so much, and what has always been scariest to me, is anything to do with God. Anything to do with God is quite frightening because fear is something that's very much expressed in a church environment, and I grew up in one. And the fear of God was very much instilled me at a very young age.
I always knew I wanted to go to NIDA. I think I was very fortunate, and I do doubt myself often, but I didn't see any possibility of me not going to NIDA. I believed in myself, and I believed that, if you really do want something, you get it.
Out of a very intimate acquaintance with D. L. Moody, I wish to testify that he was a far greater pray-er than he was preacher. Time and time again, he was confronted by obstacles that seemed insurmountable, but he always knew the way to overcome all difficulties. He knew the way to bring to pass anything that needed to be brought to pass. He knew and believed in the deepest depths of his soul that nothing was too hard for the Lord, and that prayer could do anything that God could do.
I'm always trying to be the best, on and off the pitch, is also very important. I've always taken things very seriously, since I was very young, and that's reflected in my career. Always being nominated, winning trophies for the club or individual awards, that's the culmination of many years of dedication, hard work and professionalism and that makes me very happy.
I've always had this tremendous and very deep feeling of knowing my purpose, you know? It never dawned on me, it always very much known.
I can't even begin to describe how I miss him. He always supported me in everything I did. He was a very wise man and I realised at an early age I could learn a lot from him. He always gave me the right answer. But above all he was a very easy-going guy and all he wanted was to be my best friend. I'm an only child and so he shared everything with me. Of course he was very young to die and I was very young to lose a father. But there was nothing left unsaid between us.
As an audience, if you see 1800s or something, it more often seems that the actors are carrying the weight of the time. It always has a Shakespearean tone to it. To me, that always feels very theatrical and very unrelatable.
For me, I've always believed that there was a God. I've always believed that God created the heavens and earth - so, for me it's not a huge leap from there to intelligent design.
I knew from a very young age that there was something very wrong with me
I knew from a very young age that there was something very wrong with me.
The natural scientists of the previous age knew less than we do and believed they were very close to the goal: we have taken very great steps in its direction and now discover we are still very far away from it. With the most rational philosophers an increase in their knowledge is always attended by an increased conviction of their ignorance.
My mom came to the U.S. very young, and then she married very young. But she was never American. She was always Scottish and would make sure that I knew that I was, too.
I've always believed in a higher power. You can call it God, you can call it Jesus, Krishna, Buddha, Allah, I don't care. I really believe we are all a part of God.
There is and always has been for me a peculiar need to write. This is very different from wanting to be a writer. To be a writer always seemed something so far removed from my talents and abilities and imaginings that it didn't afflict me at all as a notion when I was young. But I was always conscious that I wanted to write.
I love Billy Wilder, and I love the way that his films can be very touching and very moving and very romantic, and at the same time there's always a little cynical undertone, there's always something that undercuts things.
I think I will always feel a special relationship with The Umbrellas of Cherbourg, because for me it was something very, very special. It was a modern opera, and to play the heroine in a film that became such a success at a young age, and learning from him when I was so young and impressionable - really it was one of my most important experiences.
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