A Quote by Tyler Perry

I know my audience, and they're not people that the studios know anything about. — © Tyler Perry
I know my audience, and they're not people that the studios know anything about.
It's difficult to keep anything fresh for an audience these days. With technology being what it is people seem to know everything there is to know about a film before you've even made it.
We all like going to the dark side of things; we all like dipping into worlds that we don't know anything about, or hopefully don't know anything about. I think 'Banshee' gives people a chance to do that pretty safely because we all know there's a solid buffer between the show and reality.
I have travelled enough internationally to know and accept the reality that, overwhelmingly, people are well disposed to Australia but in truth know very little about it. In particular, people know hardly anything about Australian politics.
For me, 9/11, it was my last year in college and I didn't know anything about Al Qaeda, I didn't know anything about bin Laden, I had no idea. I think probably after a few years when I started seeing how the country and the policy was shifting due to terrorism, I wanted to know: Why are these people terrorizing us, and who are they?
Ask most kids about details about Auschwitz or about how the American Indians were assassinated as a people and they don't know anything about it. They don't want to know anything. Most people just want their beer or their soap opera or their lullaby.
To have a platform like So You Think You Can Dance, where you're reaching this audience that's been created over the 10 years that they've been on the air. People who didn't know anything about dance and aren't going to go to the theater are learning about it, even if it's ballroom and jazz, by just turning their television ono. They're building this audience that's advanced and educated enough to introduce them to ballet.
Most of the big money people don't know what would interest an audience if you did it. They only know what interested the audience last time.
Listen, I don't know anything about polygraphs and I don't know how accurate they are, but I know they'll scare the hell out of people.
When people say, 'You have Alzheimer's,' you have no idea what Alzheimer's is. You know it's not good. You know there's no light at the end of the tunnel. That's the only way you can go. But you really don't know anything about it. And you don't know what to expect.
I know my audience, and they, in turn, know my cinema. When I pick a subject, it's for a family audience. I shoot and edit my films keeping them in mind. I'm dead sure about the product that bears my name.
I know people are going to be suspicious about everyone now. I know I don't have anything to hide. I've never done anything. It's just a shame it's gotten to this point.
Distinguish open-minded people from closed-minded people. Open-minded people seek to learn by asking questions; they realize that what they know is little in relation to what there is to know and recognize that they might be wrong. Closed-minded people always tell you what they know, even if they know hardly anything about the subject being discussed. They are typically made uncomfortable by being around those who know a lot more about a subject, unlike open-minded people who are thrilled by such company.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
People say to write about what you know. I'm here to tell you, no one wants to read that, cos you don't know anything. So write about something you don't know. And don't be scared, ever.
The only way to resonate at a level that persuades is to know who you are addressing. If it's true that the Audience is the hero, you need to spend time thinking about them. Really getting to know them to the point it feels like they are a friend. May times we picture our audience as a large clump of strangers. Instead, you need to picture them as individuals standing in line to have a personal conversation with you. It's easy to persuade a friend, you need to think about your audience until you know them as a friend.
We as humans, we're not solitary people, we're like dogs, we like to live in packs and know about one another. And, if anything, fame is people trying to attain community on a mass scale, because when you become famous wherever you go people know about what you've done and what you're about to do.
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