I try to write from a point of view with my faith being always present and always there. don't want to write characters where everyone is saved. So this Madea character for me is not saved.
If I was to ask you tonight if you were saved? Do you say 'Yes, I am saved'. When? 'Oh so and so preached, I got baptized and...' Are you saved? What are you saved from, hell? Are you saved from bitterness? Are you saved from lust? Are you saved from cheating? Are you saved from lying? Are you saved from bad manners? Are you saved from rebellion against your parents? Come on, what are you saved from?
I've always kind of gravitated toward characters who are a bit distant from the narrator or the point-of-view characters, so that's kind of important to me, to set up a different character who would be the point-of-view character for the story.
I focus on characters as individuals with attitudes and write each scene from a particular character's point of view. That way, even narrative passages take on the character's sound. I don't want the reader to be aware of me, writing.
We say that Christ so died that He infallibly secured the salvation of a multitude that no man can number, who through Christ's death not only may be saved, but are saved, must be saved, and cannot by any possibility run the hazard of being anything but saved.
I've reached a point in life where it would be easy to let down my guard and write simple imagistic poems. But I don't want to write poems that aren't necessary. I want to write poems that matter, that have an interesting point of view.
As a matter of writing philosophy, if there is one, I try not to ever plot a story. I try to write it from the character's point of view and see where it goes.
Point of view is present in anything I write, but I really try to let the subject and facts speak for themselves.
Yes, I, well, when I write, as often as I can, I try to write as if I'm talking to people. It doesn't always work, and one shouldn't always try it, but I try and write as if I am talking, and trying to engage the reader in conversation.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
I love to write about sex. You just have to make it idiosyncratic. You have to have a strong comprehension of your characters, and write it from their point of view. It's really fun. It's not erotic.
For me, no matter how serious the subject is, when I try to write about it, I have to write about it from a comic point of view. It's just the way it comes out.
Tears never yet saved a soul. Hell is full of weepers weeping over lost opportunities, perhaps over the rejection of an offered Saviour. Your Bible does not say, "Weep, and be saved." It says, "Believe, and be saved." Faith is better than feeling.
Well, first of all if it wasn't for being saved by Jesus, I would not be alive. I would be dead. Some people say Jesus saved their soul... Well, maybe Jesus saved my soul spiritually, but He also saved my life physically. Every aspect of my life today has to do with the fact that Jesus saved my life.
Every time I try to write a song, when I sit down and think I'm going to write, I really want to write a song, and it never works out. It's always when it hits me unexpectedly on a plane or right before I go to bed, something like that.
I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing.
We know that men are saved by repentance and faith, and whoever does call upon the name of the Lord shall be saved. But salvation is a supernatural work of God that will always produce fruit. And the evidence, not the cause, but the evidence of salvation is a changed life, a changing life.