A Quote by Tyler Posey

Acting is all I know; being on a set is all I know. — © Tyler Posey
Acting is all I know; being on a set is all I know.

Quote Topics

I never really thought about acting as a child. It wasn't like, "This is the career that I want to pursue." So when I first started acting, I was more concerned with just being on a set and all of the woes of that, and I didn't really know it or understand it as a craft yet.
I don't know. You know, when I'm not acting, I'm not an actor. I'm just a person. That's how I go through life. I'd rather not - you know, like a lot of actors, you know, they spend their whole 24 hours a day being an actor.
I was cast in commercials, music videos, and booked a lot of modeling jobs. But my acting career never took off because I was holding myself back. I was acting across from male partners who didn't know that I am trans. I was being taught by teachers who didn't know.
There are certain aspects of acting that I don't like. I'm not a person who loves being on set. I mean, I know people that have their espresso machines in their trailers and they like being in there and they put pictures on walls. But I don't like it. I don't like sitting around.
I have such a strong acting background because I know what I'm looking for, I know what the needs are, and I know acting when I see it.
Although we're acting, and our minds know that we're acting, our bodies don't quite know that we're acting. So even when you're watching someone acting like they're dying, your body has like a true real response to it.
For me personally, I just don't have anything to prove anymore. I know exactly who I am, I know that I'm intelligent and acting dumb or acting like whatever. If that's funny to me because I know it's false then so be it.
I don't like being told that's where you, you know, if you walk on set and somebody was "okay, you're here and you're going to walk over there on this line." And my reaction is always how do you know? How do you know that's what I'm going to do? How do any of us know?
Every director should take an acting class. At least one. You know, you panic with actors. It's like, "Okay, this is back in college, I know how to talk to these guys. I know their vocabulary, and I get what they're saying back to me." So basically to learn the vernacular of acting, that's very important.
It's funny - when I started acting, I didn't know I was going to be talking about Asian-American issues so much. You know what, though? It just comes with the territory, being ethnic.
A producer has to know all about everything from set-building to costumes to acting.
A producer has to know all about everything from set-building to costumes to acting
If you didn't know better, you might have thought in 2003 and 2004 that U.S. government strategy was being set by people trying to make enemies rather than friends in the Arab-Islamic world. And if you didn't know better, you might think that the Chinese government's approach to the Olympics is being set by people trying to make the country look bad.
I know what it's like to have a dream. I know what it's like to roll the dice and say, 'I'm going to go after this thing,' and nothing turns my stomach quicker than acting teachers or acting schools that look at a bunch of dreamers and say, 'We can help,' when they know full well that they can't.
I don't know how to be like a Bill Murray or a Will Ferrell, these guys who know how to make a line funny just by, I don't know, some extra-sense perception. I only know character and emotion and real acting; that's all I know how to do.
In my long and difficult and mature life, I have come to learn that the less I know about acting and the more I know about everything else, the better I'll be at both acting and living.
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