A Quote by Tyler Posey

The music I write is very melodic, very catchy, and fast. — © Tyler Posey
The music I write is very melodic, very catchy, and fast.
I like to always do my best to make music catchy, so I think a very catchy melody is cool.
Classical music can be catchy, so can African instrumental guitar music. It's not just pop songs that are catchy. Rhythms can be catchy, too.
I’ve started thinking about pure electronic music again. Something very melodic, very aggressive.
Chance the Rapper: if you listen to his narrative and the subject matter he covers in his music, you can see that he's strong, courageous and shows vulnerability. He asks some very poignant questions in his music and is still very melodic. The harmony and the melody of the music allows you to also come in closer.
Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
I kind of write in a very classic way. I sit in the piano, working on some catchy, cool melodies and coming up with song concepts for those melodies. I kind of write in a very traditional way '- how people have written since the early '40s.
Banjos are used in Celtic, English folk music and obviously American music. But not that much in pop music. But it's more versatile than people realise it to be. It's a beautiful instrument, very rhythmic and melodic. You can do anything with it.
I like Badshah's songs, as they are very cool, catchy, and very young. I think that's very important... It's connecting with the youth.
My style of songs will never get old because the music is very catchy.
My music is nostalgic. The early Neil Sedaka songs are always catchy and very singable.
I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
Just because something is melodic or catchy doesn't mean that it doesn't have depth and substance and progressive sensibilities.
When I did my rock band, I pined for a more soulful sound. I wanted music that was very melodic and blues-based.
If you write songs and if you write music that's very sincere and very honest, it's pop music, but it is pop music with a lot of honesty and a lot of heart.
I write in a very melodic way, so that will never leave. I think my records will always tend to be approachable.
I'm pretty obsessive-compulsive, and I'm very fast. I tend to not write for a long period of time until I can't not write, and then I write first drafts in gallops. I won't eat right. I forget to do my laundry.
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