A Quote by Tyler Posey

A fantasy of mine is being pulled up onstage by one of my favorite bands and singing or playing an instrument with them. — © Tyler Posey
A fantasy of mine is being pulled up onstage by one of my favorite bands and singing or playing an instrument with them.
When you sing on stage, the songs are part of the narrative, but in 'Unconditional Love,' it was just singing for singing's sake. It was playing at being pop star. As a young boy growing up in North Wales, that was my fantasy.
My favorite instrument is the snare drum. In Scotland, the snare drum is very prominent in Highland bands. The Scottish style of playing is in my blood. It's a very powerful instrument, but it can also be soothing, like velvet. It's a real challenge for composers.
There's something about being onstage, singing my lyrics to somebody and them either listening and receiving them, or singing them back to me, that I just can't get enough of.
I used to hear all these guys on 78s at my mother's when I was a teenager... I used to daydream that I was onstage playing the solos; I'm playing with B.B. King, and I'm playing with Lowell Fulsom, Jimmy McCracklin. And I literally ended up being in a band that backed them up at different clubs.
My first instrument was my voice. I was always singing and writing melodies when I was a little kid. I just sort of taught myself whatever was around. If there were instruments around, I'd play them. I always liked the idea of not being shown but coming up with my own energetic connection to the instrument.
Singing instrumental music is most important because, while you play an instrument, you are singing through the instrument... actually, you are singing inside.
Going onstage without my primary instrument is like being a guitarist and going up onstage with no guitar waiting for you. What do you do? That's why performance is painful for me, because I feel like I am always in a strange place with a bit of a handicap.
I've always loved playing Zeppelin - they were one of my favorite bands growing up.
When I was born, my dad was playing music, so I'm pretty sure he was singing to me in the womb. I was born into music, in a way, because he was playing acoustic guitar. I was around an instrument growing up.
When I write a song and come up with an arrangement and a vocal part, it's always a challenge trying to find a singer who can interpret it sort of the way that I hear it, and it's a very difficult thing to do. I mean, singing is like playing an instrument - everybody does it a little bit different - singing maybe even more so.
I spent thousands of thousands of hours playing the piano, and by thousands of hours, I mean playing in cover bands or wedding bands or disco bands or original bands or playing cabaret for Todd McKenney.
In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.
I think that, for me, my favorite thing to do is perform standup onstage. Everything else I do is for the exposure to do more stand-up onstage, and for the money, and for the health insurance.
I was in punk bands when I was a kid, and then I would do stand-up in between bands - which wasn't any different from my singing.
FNM didn't really become one of my favorite all-time bands until after I'd had all their records for a couple of years. And realized I was playing them every day.
"Happy birthday," he sighed, and leaned down to touch his lips to mine. I reached up on my toes to make the kiss last longer when he pulled away. He smiled my favorite crooked smile, and then he disappeared into the darkness.
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