A Quote by Tyler Shaw
I feel people may see me as that young pop star artist, which I guess I am, but I'm not that cutesy little guy anymore. I'm a young man, and I want to come off that way.
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There's a young man hid with me, in comparison with which young man I am a Angel. That young man hears the words I speak. That young man has a secret way pecooliar to himself, of getting at a boy, and at his heart, and at his liver.
When I was younger, definitely getting people to listen to me and believe in me. I think it's hard when you're a young girl in a record label full of male urban artists, which is definitely what Atlantic Records was and still is. Also, getting people to trust a young, female pop star that doesn't just want to be puppeteered was definitely a challenge for me.
Young people have been ill-educated, mis-educated, propagandized. I see it in everything I read written by young people. You can spot it a mile away, their ignorance. And it's coupled with they think they're the only people that know. They're arrogant. They're a little bit smarmy about what they think they know and nobody else does, which is a characteristic of young people anyway. I was that way when I was young.
If you have only a little capital and are young today, there are fewer opportunities than when I was young. Back then, we had just come out of a depression. Capitalism was a bad word. There had been abuses in the 1920s. A joke going around then was the guy who said, 'I bought stock for my old age and it worked - in six months, I feel like an old man!' "It's tougher for you, but that doesn't mean you won't do well - it just may take more time. But what the heck, you may live longer."
Most people I know think that I'm crazy - but anybody who actually knew Billy Thorpe didn't think that. When I was a young kid growing up in Adelaide, he was a big pop star - a well-dressed, nice young guy seen on television every week. Mums liked him.
I don't know if people feel this way, but I think by nature that when you start off as a young pop singer, they assume that you're a bit pampered, prissy, and precious, or that you live in a bubble and not in the real world. For me that's not the case.
It may be a very little thing for you to say to a young man the few words that turn him from the way of ruin, and win him back to life and hope. It may be a very little thing to you; but it is every thing to the young man.
I am an old man but in many senses a very young man. And this is what I want you to be, young, young all your life.
I am perhaps the oldest musician in the world. I am an old man but in many senses a very young man. And this is what I want you to be, young, young all your life, and to say things to the world that are true.
When you're young - I probably still am at 23, though I don't feel so young anymore - you have your ups and downs.
I think, probably, being a young artist, there were a lot of things I thought I knew and I wanted to do, and I was like, 'Oh! That's what I want to do.' And then it took me in a different direction with 'I Think We're Alone Now,' and then all of a sudden, I was a pop star.
I do think the public want to see politicians acting in a different way. What's brought young people into our campaign is that they were written off by political parties but they had never written off politics, and what we have is a huge number of young people, very enthusiastic and brimming with ideas. Those ideas have got to be heard.
My thing is you just have to try to feel young and stay young. Obviously you get a little older, but I still want my music to be young. I don't want to sound like an old dad onstage, so you just have to write music that sounds young.
I want a lot of young people to see me in my working environment. I want them to see me being a good person while also running a business. I want young people to aspire to that.
I'm not a pop artist. For me pop never was.... Pop is concerned with exteriors. I'm concerned with interiors. When I use objects, I see them as a vocabulary of feelings. I can spend a lot of time with objects, and they leave me as satisfied as a good meal. I don't think pop artists feel that way.
I have a great body, I really do. But I want to be taken seriously as an artist, and wearing anything that shows it off will be a distraction from the music. That's how my signature uniform, my tuxedo, came about. It's classic and timeless. You'll see me in black, white, and a pop of color on my lips. That pop adds a little magic.
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