A Quote by Tyne Daly

A critic never fights the battle; they just go around shooting the wounded. — © Tyne Daly
A critic never fights the battle; they just go around shooting the wounded.
A critic is someone who never actually goes to the battle, yet who afterwards comes out shooting the wounded.
My first ten fights or so it was like that. I was just so scared. You can see if you go back and watch them that there are moments where I just stop and look around, like, what's going on here? I was so scared for all those fights.
We all miss you so much. It just never ends. It feels like we were all wounded in your battle, Caroline. I miss you. I love you.
Remember this well. There are two kind of fights. As long as we place ourselves in battle, we must always know the difference: fights to defend life... and fights to defend pride.
The way I try to explain it the best is that if Critic A from publication A hates our show, and Critic B from publication B loves our show, what are we supposed to do with that? We have to just respect everyone's opinions and go on making the show we want to make. I've never worked on a show that was altered by critical reception. You just can't afford to do that. So in that regard, it's actually no different that working in theater. It's just a lot more voices.
Fights are fights. It's a cliche, but it's true, you can never know how they'll go down for sure until you do it.
It becomes a lot better for the actors when we're 'shooting, shooting, shooting,' instead of waiting around in a trailer for something to happen.
Benedict Arnold was a war hero, wounded in battle--before he turned against his country. Hitler was likewise a decorated and wounded veteran of the First World War. Being a war hero is not a lifetime...exempt[ion]...from responsibility for what you do thereafter.
A critic is someone who enters the battlefield after the war is over and shoots the wounded.
There's lots of room to be your own worse critic. It's just you, so I think that's inherit, that voice that's always that's there monitoring everything you do. It's definitely worse; the critic is harder when it's just you. If you're doing a show, then the critic can blame the other actors your with.
I just want fights like that. Fights that get me excited. Fights that are going to be exciting.
I can't just keep fooling around every other fight. Have a few good fights and then get unfocused again and have a couple bad fights. I really have to stay the course and stay focused.
Music critics are, for the most part, bitter people who are intent at dragging people down for being successful at what they want to do, which is probably music. The oddity of being a critic is: You don't get a diploma, you just decide you're a critic. If someone listens to your opinion rather than their own, it's their mistake. Any critic's top 10, any year, it's something controversial or something that will make them look hipper-than-thou. The whole critic game, we've never played.
As the knight of the quill never ventured into the fight, and only snuffed the battle afar, he knew nothing accurately of battles, but managed to pick up a few real or supposed incidents from the wounded and from stragglers.
When you fight, you don't fight for abstract values like the flag, or the nation, or democracy. You fight for your buddy. You fight to keep him alive, and he fights to keep you alive, and you go on that way, day after day, battle after battle. And when one of your buddies dies, something inside you dies as well. But you go on. You fight, so that his death isn't meaningless, his sacrifice isn't for nothing.
While shooting in Patiala, I never felt as if I was shooting here for first time, such was the love I got from the locals and Punjabi actors shooting with me.
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