A Quote by Tyne Daly

The director's job is full of all sorts of annoyances and details - like how many cars are on the street. Ugh. I don't want it. I like my gig. And I feel that for the next 30 years or so I can keep learning more about it.
To be a director, you have to think you're the best. Ever since I went to film school, I imagined that you have to think deep down that you want to be Martin Scorsese or you want to be P.T. Anderson. Like, am I as good as those guys? Absolutely not. I feel like I keep learning, and I feel like I keep getting better.
We don't have great answers to what jobs will look like in 10, 20, 30 years. And I think it's right for people to have some anxiety in a world where driverless cars are going to take over. Like, how are you going - it's gotten really, how are you going to have a job in 10 years, and how are your kids going to have a job in 10 years, if you haven't gone to college or had a lot of hand-ups in the system, basically.
When I think about what part of my college experience came back in my work experience, I feel like it was learning how to read deeper, learning how to keep filling the movie up with more and more resonance.
The red carpet has become like a parallel business. The next day, there are TV programmes, and magazines, and it's all, 'Do you like the dress or not like the dress?' and 'Did she look fat?' To keep borrowing dresses and jewellery is like a full-time job. And you have to be a fantasy, which you can never be, so you always feel depressed.
its no surprise to me that anyone hardly tells the truth about how they feel. The smart ones keep to themselves for good reason. Why would you want to tell anyone anything that's dear to you? Even when you like them and want nothing more than to be closer to them? It's so painful to be next to someone you feel so strongly about and know you can't say the things you want to.
I feel like my timeline has moved so many times in my brain. I used to be like, 'Maybe like 30' because that's when my older sister had her first kid. Now that I'm 30, I'm like, 'I don't want to have a baby in a long time!'
I find in film acting that however many years you have done it for, you can feel totally relaxed and at ease with the people around you, absolutely wonderful, then roll camera and a little part of you goes, 'Ugh'. It is learning how to manage that.
For many, many years, I was always whipping up things in order to keep myself busy and moving ever forward and saying, 'What's next? What's next? What's next?' I like the equanimity that comes with my age. I don't have big highs, and I don't have big lows. Even if this job goes away tomorrow, the nonstop ambition is a thing of the past for me. I've mellowed
I feel like I've been picky through the years and would do one movie a year or one movie every two years, and I want to work a lot more. So if I can find something that just happens right away as a director, I'll do it if I really love it, but otherwise, I want to keep working as an actor and getting better.
I feel great. I feel younger. And I don't feel anything at all. I don't know who knows, but right now I'm, how, how many years have I, fifty five, something like that. Forty three years old. And I feel like seventeen, like twenty five years ago.
I've learned how to deal with pressure more. I'm still trying to achieve more in my game and add more to it. I feel like I'm still learning every day, and I want to keep on improving.
I feel like in the races I watched before I got to NASCAR, nobody ran like right next to the wall. And I feel like since I've gotten here, a lot more people do now. I don't know if it's the way the cars drive or the tracks age or what, but I feel like I've had a part in changing the style of NASCAR racing a little bit.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
I’ve stopped thinking about it. I don’t have time to have a girlfriend. I have like a full-time job Learning How to Be Blind.
Personally, the message that I would like to convey to everyone is just that life is really great and you can do whatever you want with it. That's what I feel like I've gotten out of my experience with the band, because I have done so many amazing things that I never thought I would get to do-and I don't really feel like I'm any more qualified than the next person. I feel like people should take their goals seriously and do exactly what they want, because they can.
I don't ever feel a full transition to my character. I don't ever feel like I have left myself, because if I did, I would need professional medical attention. I always have to keep my own wits about me, or I would miss a mark on the floor, or be unable to follow the director's advice from the last take. However, when I'm at my best, I feel like I'm doing an impression of a person I've never met. It feels complete, and yet improvised.
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