A Quote by Tyrese Gibson
When you play somebody's life, everything about your likeness, everything about the way you talk, whatever, has to become that person.
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The whole notion of one person being enough for everything gets instantly challenged when you start to talk with somebody about wanting more or of wanting something else. They take it personally, feel like a failure or feel that they lack something, so you don't talk about it because you don't want to hurt, offend, or scare the other person. You also don't want to be rejected or have them leave you, whatever the reason.
I don't hide anything about my life, I talk about everything. I talk about it - all kinds of things. I've done songs about bad experiences, a couple about growing up in the ghetto and being abused, sexually. Being raped. And I talk about it.
I think it's better to find somebody who's worse at everything than you. It just makes you constantly feel so good about yourself. And then, you can constantly talk about how good you are at everything, and how terrible they are at everything.
Whatever you do in life, if you want to be creative and intelligent, and develop your brain, you must do everything with the awareness that everything, in some way, connects to everything else.
Overnight, punk had become as stupid as everything else. This wonderful vital force that was articulated by the music was really about corrupting every form-it was about advocating kids to not wait to be told what to do, but make life up for themselves, it was about trying to get people to use their imaginations again, it was about not being perfect, it was about saying it was ok to be amateurish and funny, that real creativity came out of making a mess, it was about working with what you got in front of you and turning everything embarrassing, awful, and stupid in your life to your advantage.
Everything about your life, about your body, grows! Your cells regenerate; your hair, your nails, everything grows for your entire life. And your soul needs exploration and growth. And the only way you'll get it is by forcing yourself to be uncomfortable. Forcing yourself to get outside, out of your head.
My daughter...why do you not tell me about everything that concerns you, even the smallest details? Tell Me about everything, and know that this will give Me great joy. I answered, But You know about everything, Lord." And Jesus replied to me, "Yes I do know; but you should not excuse yourself with the fact that I know, but with childlike simplicity talk to Me about everything, for my ears and heart are inclined towards you, and your words are dear to Me.
I talk about everything. I'm like the person who comes home and can't hide anything. Even my friends sometimes are like, 'Kate, you've got to stop talking so much about your life.' And I'm like, 'Why?' I can't keep things in, really.
When you start writing about the stuff that is the central experience of your own life, you can talk about whatever you want, in whatever way you want.
If you talk about sin, you don't have to use the first person singular, but speak out of that part of yourself which knows what it means to become estranged from people you love. Speak in your own voice about things that you in your own life have in one way or another experienced.
I like to say, 'Once a dancer, always a dancer.' In everything - the way you walk, the way you move, the way you talk, the way you sit - everything is just, you've been trained a certain way your whole life, so it's a bit muscle memory.
I believe that filmmaking - as, probably, is everything - is a game you should play with all your cards, and all your dice, and whatever else you've got. So, each time I make a movie, I give it everything I have. I think everyone should, and I think everyone should do everything they do that way.
Learn to think and judge for yourself, responsibly. Don't accept everything without criticism and as absolutely true, everything which is brought to your attention. Learn from life. The biggest mistake of my life was that I believed everything faithfully which came from the top, and I didn't dare to have the least bit of doubt about the truth of that which was presented to me. Walk through life with your eyes open. Don't become one-sided; examine the pros and cons in all matters.
It's a piece that is so interactive, and relies so much on these five men in the room, that I think will appeal to the life experiences every person has, in some small way. Every aspect of the play will in some way touch somebody or they'll know someone that has a likeness... very representative of real life.
Your first realization when you become an important person is that all day and all night, whatever the circumstances, people want to hear you talk about yourself.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
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