A Quote by Tyrus

I actually came up with Funkasaurus. — © Tyrus
I actually came up with Funkasaurus.

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Vince McMahon said to Triple H, 'Are you sure he's a heel? I don't know. He's funny.' He decided he wanted me to be a babyface and when they came to me they said, 'You can say no, but here's what we're looking at. Funkasaurus is the fastest way to be back on TV.'
When you come up in the art world, whatevers in the air, the issues of the moment, end up becoming part of the working method or modus operandi of how you think about doing a painting. And I came up at a time when-actually painting was dead when I came up. Sculpture sort of ruled.
I cracked one joke and I was the 'Funkasaurus.'
I came from a background where I was very poor growing up but I have never known poverty. My parents worked hard and they went to bed hungry, but they fed us. Then my father became an ambassador, so I ended up being driven by chauffeurs. And then we became refugees. After that, I looked at it through this "glass" of to have and have not, and at the end of the day, who actually helps, who actually steps up, who is there for you.
I can always be ruthless and aggressive in the ring, but I don't think I'll ever have the opportunity to be 'The Funkasaurus' again.
I grew up in a town in France called Saint-Die, where there were many immigrants - Senegalese, Morrocans, Turks. My parents came from Senegal. My father came first, actually. He was a lumberjack. Yes, a real French lumberjack.
I played the drums, and I was in a band called Funkasaurus Rex in Toronto. When I left for school, it became hard to play as frequently.
Then I came up with this crazy idea just to walk out on the stage with no band at all and just start singing whatever came to mind. I actually fought the idea for a while because it seemed almost too radical, but it became obvious what I was supposed to be doing.
It was Die Hard in my father's workshop. And so when that opportunity came up, the possibility of doing it, it's more the teenager in me who says that, 'I have to, of course I'm going to.' So that's the fun of reinventing, or just getting involved in things that really, actually loved as a kid growing up wanting to grow up to be a director.
I knew Funkasaurus wasn't winning the World Championship, but I knew Brodus Clay could have.
Thatcher came under pressure from right wing backbenchers to shut up the Prince of Wales and there was a deal done between them where he did actually shut up in the end.
The visual world has blown up, the world of writing has blown up; there's so much text online. Anyone and everyone can express themselves. It's a lot to think about as an artist. Also, that the persona of the artist might actually be of some importance. When I came of age, it was important to be quiet and hang back and be mysterious. I knew artists who didn't even want to show up at their own openings. They never wanted to have their picture taken, didn't want to autograph a book, didn't want to answer a question. I came of age in a world where it was "Let the work speak for itself."
When I came to America, it was Dave Chappelle and a lot of comedians on ComicView. That was my first exposure to stand up comedy, actually.
Actually just recently I came up with that idea, watching the movie 'Legally Blonde' and I was like, 'Cool, that's something I want to do.'
I came from a very poor family. And I was able to rise up and actually win an Academy Award. And if I can do it, then any kid can do it.
I don't think my grandmother would ever be convinced, but my family was convinced that I was convinced, and actually, they came around. My mother ended up going to fundraisers in Chicago that were raising money to send to the students in the South and actually, over years, she went to an elevated train bus station one day at 6:00 a.m. to hand out leaflets protesting the war.
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